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In an unprecedented era of change and uncertainty, we’re creating new modes of engaging with the wisdom and light of Sikhi.
In our final session of the series, we will look at the immediate aftermath of June and November 1984. We will discuss the rebuilding of the Akal Takht Sahib. We will look at what life was like for Sikhs after November 1984 in the rest of India.
In our final session of the series, we will look at the immediate aftermath of June and November 1984. We will discuss the rebuilding of the Akal Takht Sahib. We will look at what life was like for Sikhs after November 1984 in the rest of India.
This session will look at the events of the first week of November 1984, in which genocidal attacks against Sikhs occurred across India, especially in the capital city of Delhi.
In our final session of the series, we will look at the immediate aftermath of June and November 1984. We will discuss the rebuilding of the Akal Takht Sahib. We will look at what life was like for Sikhs after November 1984 in the rest of India.
This session will look at the events of the first week of November 1984, in which genocidal attacks against Sikhs occurred across India, especially in the capital city of Delhi.
In the second session, we will keep looking at June 1984, but change our focus from Amritsar to the entire state of Panjab. We will look at the shutdown and closing of Panjab to the outside world.
This interview delves into the profound reflections of author Ajeet Cour, a witness to both the 1947 Partition and the 1984 Ghallughara, and her daughter, artist Arpana Caur.
This interview delves into the profound reflections of author Ajeet Cour, a witness to both the 1947 Partition and the 1984 Ghallughara, and her daughter, artist Arpana Caur.
“In Memory & Resolve” reflects on the layered significance of October 31st for Sikhs, honoring both Bandi Chor Divas—a celebration of liberation—and the 40th anniversary of the 1984 Sikh Genocide.
“In Memory & Resolve” reflects on the layered significance of October 31st for Sikhs, honoring both Bandi Chor Divas—a celebration of liberation—and the 40th anniversary of the 1984 Sikh Genocide.
This essay reflects on the sacred nature of giving, inspired by Guru Amardas Sahib's and Baba Mohri ji's narrative. It explores the importance of honoring the trust placed in us when we receive resources meant for the greater good.
This essay reflects on the sacred nature of giving, inspired by Guru Amardas Sahib's and Baba Mohri ji's narrative. It explores the importance of honoring the trust placed in us when we receive resources meant for the greater good.
This interview delves into the profound reflections of author Ajeet Cour, a witness to both the 1947 Partition and the 1984 Ghallughara, and her daughter, artist Arpana Caur.
“In Memory & Resolve” reflects on the layered significance of October 31st for Sikhs, honoring both Bandi Chor Divas—a celebration of liberation—and the 40th anniversary of the 1984 Sikh Genocide.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
To mark the 40th year of the violence of 1984, we reflect on the events that unfolded in India and make connections with the ongoing and durable violence against Sikhs, Muslims, and other minority groups in India and the diaspora.
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
To mark the 40th year of the violence of 1984, we reflect on the events that unfolded in India and make connections with the ongoing and durable violence against Sikhs, Muslims, and other minority groups in India and the diaspora.
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
To mark the 40th year of the violence of 1984, we reflect on the events that unfolded in India and make connections with the ongoing and durable violence against Sikhs, Muslims, and other minority groups in India and the diaspora.
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LEARN MORE ⟶Celebrate Nanakshahi550 by learning the significance of Guru Nanak Sahib’s Raj. A Conference of connection to the philosophies that shaped spiritual and temporal life in South Asia.
LEARN MORE →We celebrated the 400th Parkash Purab of Guru Teghbahadar Sahib with a virtual conference.
WATCH NOW →In an effort to make learning more about Sikhi and engaging process, our research staff compiles scholarly articles from around the web and other academic resources.
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