Gauri Gill

She has exhibited within India and internationally, including the 58th Venice Biennale, Museum Tinguely, Basel, MoMA PS1, New York, Documenta 14, Athens and Kassel, Kochi Biennale 2016, 7th Moscow Biennale, Wiener Library, London and Whitechapel Gallery, London. Her work is in the collections of prominent institutions worldwide, including the Museum of Modern Art, New York, Tate Museum, London, the Smithsonian Institution, Washington, and Fotomuseum, Winterthur. In 2011 she was awarded the Grange Prize, Canada’s foremost award for photography.

Gill’s practice is complex because it contains several lines of pursuit. These include an almost two-decade-long engagement with marginalized communities in rural Rajasthan called Notes from the Desert (since 1999)—this ongoing archive contains sub-series such as The Mark on the Wall, Traces, Birth Series, Jannat, Balika Mela, and Ruined Rainbow. She has explored human displacement and the migrant experience in The Americans and What Remains. Projects such as the 1984 notebooks highlight her sustained belief in collaboration and ‘active listening’, and in using photography as a memory practice. Beginning in early 2013, Fields of Sight is an equal collaboration with the renowned Adivasi artist, Rajesh Vangad, combining the contemporary language of photography with the ancient one of Warli drawing to co-create new narratives. In her recent body of work, Acts of Appearance, (2015—), the artist has worked closely with the paper mache artists of the Kokna tribe in Maharashtra, using unique masks to tell fictional stories improvised together of contemporary life in the village. Working in both black and white and color, Gill addresses the Indian identity markers of caste, class, and community as determinants of mobility and social behavior; in her work, there is empathy, surprise, and a human concern over issues of survival.