Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
She is one of the commentators and transcreators of The Guru Granth Sahib Project. She is passionate about projects that create comfortable spaces for community members of all ages and backgrounds to engage in dialogue and learn from one another. She also loves singing in her free time, whether on stage with her friends or alone in her kitchen.
She hopes to go back to school to pursue a Ph.D. in either religious ethnography or history and fulfill her dream of teaching and learning from others.
Jasleen Kaur resides with her family in the United States.
Jasleen Kaur serves as a Research Associate at SikhRI and one of the commentators and transcreators of The Guru Granth Sahib Project.
Alahani is a mournful or sorrowful Panjabi folk song. When a person dies, friends and relatives usually visit the deceased’s family to share their sorrow and memories of their loved one’s life and deeds.
Harinder Singh and Jasleen Kaur explore the context of Indic paradigms, rituals, systems, and popular understandings that the Guru addresses in his reframing of renunciation and non-attachment.
Revealed to Baba Sundar, the great-grandson of Guru Amardas Sahib, Sadd holds great significance in the Sikh funeral ceremony and is recited during final rites.
This video serves as an introduction to the series, offering a conversation between Harinder Singh, the Innovation Director, and Jasleen Kaur, a Research Associate.
Join Harinder Singh and Jasleen Kaur as they discuss the larger context around the latest events in Canada. What is the background needed to make sense of current events? What does this mean for Sikhs globally?
In this Sabad, Bhagat Ramanand Ji highlights the significance of remembering the all-pervading IkOankar (the Divine) rather than worshipping the idol of any deity.
Thiti refers to a lunar calendar day, counted from the first to the fifteenth day based on the moon's phases. As a poetic form, Thiti is structured around the fifteen lunar days of the Indic calendar months.
In Sikh tradition, the Birth & Naming Ceremony compositions nurture a sense of connection, love, and gratitude with IkOankar (the Divine).
‘Var Sat,’ commonly called 'Satvar' or 'Satvara,' is a poetic form based on the seven days of the week. It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Akal Takht Sahib (Timeless Throne Sovereign) commands the worldly moral authority of the Sikhs, functioning as the institutional manifestation of the Miri-Piri (Political-Spiritual) doctrine as envisioned by the Gurus.
In 2006, Tarana Burke founded the #MeToo movement to help survivors of sexual violence, particularly young women of color from low-income communities find the language to talk about their experiences, build systems of support, start conversations...
In SikhRI’s new monthly blog series, Sabads previously transcreated for the Sabad of the Week podcast will be revisited, with the offering of an individual understanding and perspective on the application of the Sabad’s message in daily life.
The National Sikh Campaign's slogan is one of assimilation and nationalism in an aim to combat the negative impact a post-Trump America has had on the Sikh community, but at what cost?
In this series, Sabads previously transcreated for the Sabad of the Week podcast will be revisited, with the offering of an individual understanding and perspective on the application of the Sabad’s message in daily life.
This presentation explores Guru Ramdas Sahib’s Vanjara, situating it within its cultural framework and lived experience. We will reflect on the composition's foundational themes and their relevance to our daily...