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Listen as we reflect on the enduring effects of Partition through a conversation with third-generation Partition descendants from India and Pakistan, who are also oral historians doing the work of memory. We delve into conversations around how their memory work both transcends and is contained by national borders and boundaries and how it challenges the divide between "this" and "that" side.
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Anam Zakaria is the author 1971: A People's History from Bangladesh, Pakistan and India (2019), Between the Great Divide: A Journey into Pakistan-administered Kashmir (2018) and The Footprints of Partition: Narratives of Four Generations of Pakistanis and Indians (2015), which won her the 2017 KLF-German Peace Prize.
View profile ⟶Aanchal Malhotra is an oral historian and writer from New Delhi, India.
View profile ⟶Shruti Devgan is an Assistant Professor of Sociology at Bowdoin College.
View profile ⟶The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
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