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What role have women historically occupied in our collective psyche? Reflecting on our past, present, and thinking about the future, how do we put mechanisms into place to ensure women’s stories aren’t forgotten? To ensure they become a part of consciousness?
Through this conversation, we imagine futures in which we move beyond the mere recognition of gendered differences and enact attention on reducing gender disparities while paying homage to the strides we have already made.
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Dr. Geetanjali Singh Chanda is currently an Associate Professor in the Department of English at Ashoka University. She has also been Senior Lecturer in the Women's, Gender, and Sexuality Studies Program at Yale University, where she taught for 15 years.
View profile ⟶Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI), where she leads content creation, branding, and external communications.
View profile ⟶Shauna Singh Baldwin is co-author of A Foreign Visitor's Survival Guide to America. Her play, We Are So Different Now, in which Draupadi of the Mahabharat leads an over-privileged young woman to feminism, premiered in Toronto in 2016.
View profile ⟶The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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In this poetic reflection, writer and narrator Inni Kaur invites us into three quiet evenings she spent in 2025 at Harimandar Sahib—sitting in the parikrama, watching the sunset, listening to Rehras Sahib, and simply being.
Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
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