Understanding this epoch of Sikh history holds paramount significance, marking the advent of colonialism and its enduring impact on Sikh heritage. Rani Jind Kaur emerges as a pivotal figure within this historical milieu, embodying the complexities of Panjab's colonial encounter. Initially, she stood as a formidable adversary to the British, only to later find herself ensnared as their captive. Notably, Rani Jind Kaur occupies a unique space in Sikh history as one of the few prominent female figures whose stories have endured the passage of time. Often overshadowed by their male counterparts in historical narratives, the accounts of remarkable Sikh women like her have unfortunately been neglected. Despite the challenges, Rani Jind Kaur epitomizes resilience amidst the intricate web of political intrigues, steadfastly striving to preserve the sovereignty of the Sikh Kingdom.
Let's embark on a journey to unravel the enigma of Rani Jind Kaur, born in 1817 in Gujranwala, where the veil of her early life remains mysterious.
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Suggest a correction →Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
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