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Santbir Singh is a Research Associate with SikhRI. He is currently doing his Ph.D. in Sociology at York University. His graduate research focuses on Sikh activism and the inherent relationship between Sikhi and anarchism explored through historical and contemporary Sikh movements, such as the Kisān Morcha (Farmer’s Protests) of 2020-2021.
View profile ⟶Manvinder Kaur is the webinar coordinator at SikhRI. She holds a Master of Arts in Religious Studies from McMaster University and a Master of Social Work from the University of Toronto.
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In recent years, diasporic Sikhs have been moving to consciously avoid using the terms Operation Blue Star or Holocaust and instead use terms like the Battle of Amritsar, genocide, or Ghallughara when speaking about June and November 1984.
The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
2-time Sidaker Manmit Singh joins Jasleen Kaur to reflect on connection, community, and their deepening relationship with Asa ki Var, a guiding light through threads of hope and hopelessness.
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