Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
2-time Sidaker Manmit Singh joins Jasleen Kaur to reflect on connection, community, and their deepening relationship with Asa ki Var, a guiding light through threads of hope and hopelessness.
“1984 Lives in Me: 41 Years of Fire & Grace” is a poetic reflection on the enduring impact of the 1984 Ghallughara on Sikh spirit and memory.
Rag Ramkali evokes compassion, and Rag Maru is associated with enthusiasm and zeal.
Join Gurpartap Singh, Harinder Singh, and Jasleen Kaur as they discuss Gurpartap’s reflections on his interaction with Gandhi. How can we understand the context Gurpartap centered in his questions? How does Gurpartap feel about Gandhi’s response?
SikhRI researcher, Jasleen Kaur discusses the value of Sidak with alumni, Poznma Kaur.
In this composition, Guru Amardas Sahib highlights that IkOankar (the Divine) is the Creator of all existence. It portrays how individuals who cling to temporary possessions and relationships remain trapped in the cycle of birth and death.