In the Guru Granth Sahib, there are fifty-seven saloks and fifty-nine Sabads revealed by Guru Teghbahadar Sahib (1621-1675). While the saloks are recorded without any prescribed rag (musical mode), the Sabads are recorded under fifteen different rags. Under Rag Devgandhari, the Guru has revealed three Sabads, which are recorded on page 536 of the Guru Granth Sahib. Each Sabad comprises of two stanzas. The stanza of rahau in each Sabad is separate from these stanzas.
This Sabad encapsulates the yearning to connect with the radiant Beloved. The seeker's plea resonates with a deep desire for guidance from the Exemplar of Truth. The imagery of illumination paints a fervent determination to tread the path set forth.
This Sabad encapsulates the yearning to connect with the radiant Beloved. The seeker's plea resonates with a deep desire for guidance from the Exemplar of Truth. The imagery of illumination paints a fervent determination to tread the path set forth.
Composed by Guru Ramdas Sahib, this piece is set in Rag Devgandhari, an ancient melodic mode traditionally sung during the second quarter of the day. This Sabad encapsulates the yearning to connect with the radiant Beloved.
Composed by Guru Ramdas Sahib, this piece is set in Rag Devgandhari, an ancient melodic mode traditionally sung during the second quarter of the day. This Sabad encapsulates the yearning to connect with the radiant Beloved.