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A leadership program for young adults, Sidak promises connection and transformation through exploration of Sikhi.
Our research reports on Sikh matters, surveying self-identified Sikhs and providing perspectives rooted in Gurmat.
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In an unprecedented era of change and uncertainty, we’re creating new modes of engaging with the wisdom and light of Sikhi.
To mark the 40th year of the violence of 1984, we will remember the events that unfolded in India and make connections with the ongoing and durable violence against Sikhs, Muslims, and other minority groups in India and the diaspora.
To mark the 40th year of the violence of 1984, we will remember the events that unfolded in India and make connections with the ongoing and durable violence against Sikhs, Muslims, and other minority groups in India and the diaspora.
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
To mark the 40th year of the violence of 1984, we will remember the events that unfolded in India and make connections with the ongoing and durable violence against Sikhs, Muslims, and other minority groups in India and the diaspora.
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
In the final session of the series, we will explore the Dharam Yudh Morcha period, the escalating state violence against Sikhs, and the Sikh response to this violence.
In this reflective essay marking the 450th Coronation Anniversary of Guru Ramdas Sahib, we journey through the profound life of the Guru—from his humble beginnings in Chuna Mandi to his transformative role in Sikh history.
In this reflective essay marking the 450th Coronation Anniversary of Guru Ramdas Sahib, we journey through the profound life of the Guru—from his humble beginnings in Chuna Mandi to his transformative role in Sikh history.
At all times, especially amid chaos, crisis, and warfare, the ten founder Guru Sahibs — Guru Nanak to Guru Gobind Singh — reminded the seekers and the Sikhs to invoke the living remembrance of the 1 for calm and clarity.
At all times, especially amid chaos, crisis, and warfare, the ten founder Guru Sahibs — Guru Nanak to Guru Gobind Singh — reminded the seekers and the Sikhs to invoke the living remembrance of the 1 for calm and clarity.
In the tenth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that identifying with the attributes and existence of the 1 eliminates fear.
In the tenth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that identifying with the attributes and existence of the 1 eliminates fear.
In this reflective essay marking the 450th Coronation Anniversary of Guru Ramdas Sahib, we journey through the profound life of the Guru—from his humble beginnings in Chuna Mandi to his transformative role in Sikh history.
This report aims to understand and explore caste and race within a Sikh worldview, the complexities of their intertwined developments, and the varied responses to practices and structures of casteism and racism from dominant and marginalized groups.
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
‘Pahare’ is considered to be a form of folk poetry in Panjabi. This poetic genre is based on the consciousness of time.Examples of this poetic genre are found only in the Guru Granth Sahib.
Guru Arjan Sahib’s Chaubole focuses on love, teaching that true devotion to IkOankar (the Divine) brings constant joy. A lover fully immersed in this love is ready to sacrifice everything for the Beloved.
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
In this episode, we embark on a deeply personal and spiritual journey to Sri Harimandar Sahib, the Golden Temple, through the evocative words of Inni Kaur.
‘Pahare’ is considered to be a form of folk poetry in Panjabi. This poetic genre is based on the consciousness of time.Examples of this poetic genre are found only in the Guru Granth Sahib.
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
In this episode, we embark on a deeply personal and spiritual journey to Sri Harimandar Sahib, the Golden Temple, through the evocative words of Inni Kaur.
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LEARN MORE ⟶Celebrate Nanakshahi550 by learning the significance of Guru Nanak Sahib’s Raj. A Conference of connection to the philosophies that shaped spiritual and temporal life in South Asia.
LEARN MORE →We celebrated the 400th Parkash Purab of Guru Teghbahadar Sahib with a virtual conference.
WATCH NOW →In an effort to make learning more about Sikhi and engaging process, our research staff compiles scholarly articles from around the web and other academic resources.
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