On Sunday, February 12, I went to watch the play Kultar’s Mime. It is a beautiful, emotional play that tells the story of 4 sikh children that witnessed the 1984 attacks. These children had watched as their parents were killed mercilessly in front of their eyes and had been emotionally and physically scarred through this experience. The play is like none other that I have ever seen before. The complex vocabulary, the use of figurative language, the artwork, it was all amazing. On top of that, the acting was so astonishing, it drew you into the play. It didn’t matter if you understood what was being said, because the body language of the actors said it all. From every step to every smile, there was a meaning behind it all.
On Sunday, February 12, I went to watch the play Kultar’s Mime. It is a beautiful, emotional play that tells the story of 4 sikh children that witnessed the 1984 attacks. These children had watched as their parents were killed mercilessly in front of their eyes and had been emotionally and physically scarred through this experience. The play is like none other that I have ever seen before. The complex vocabulary, the use of figurative language, the artwork, it was all amazing. On top of that, the acting was so astonishing, it drew you into the play. It didn’t matter if you understood what was being said, because the body language of the actors said it all. From every step to every smile, there was a meaning behind it all.
867 “hate incidents” were reported in the ten days following Donald Trump as the United States (US) President-elect by Southern Poverty Law Center (SPLC), a US advocacy group, terming it a “national outbreak of hate.”
867 “hate incidents” were reported in the ten days following Donald Trump as the United States (US) President-elect by Southern Poverty Law Center (SPLC), a US advocacy group, terming it a “national outbreak of hate.”
Composed by Guru Ramdas Sahib, this piece is set in Rag Devgandhari, an ancient melodic mode traditionally sung during the second quarter of the day. This Sabad encapsulates the yearning to connect with the radiant Beloved.
Composed by Guru Ramdas Sahib, this piece is set in Rag Devgandhari, an ancient melodic mode traditionally sung during the second quarter of the day. This Sabad encapsulates the yearning to connect with the radiant Beloved.
In this Sabad attributed to Bhagat Ravidas, a profound contemplation unfolds. This composition finds its musical foundation in Rag Gujri, an ancient melodic mode reserved for the early hours of the day, evoking a sense of serene awakening.
In this Sabad attributed to Bhagat Ravidas, a profound contemplation unfolds. This composition finds its musical foundation in Rag Gujri, an ancient melodic mode reserved for the early hours of the day, evoking a sense of serene awakening.
Babbar Akali (Babbars) movement (1921-1925) was a radical outgrowth of the Akali movement for the reform of Gurduaras. The latter practiced non-violence of the strong to free Gurduaras from state-sponsored “priests” suffering physical injury and violence at the hands of the “priests” and government authority.
Babbar Akali (Babbars) movement (1921-1925) was a radical outgrowth of the Akali movement for the reform of Gurduaras. The latter practiced non-violence of the strong to free Gurduaras from state-sponsored “priests” suffering physical injury and violence at the hands of the “priests” and government authority.
Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
Sabad is Infinite; we are finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad.
Sabad is Infinite; we are finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad.
Songs of Love repeating the Name of the Beloved resound from this Divine Collection.
Songs of Love repeating the Name of the Beloved resound from this Divine Collection.
I am sitting next to “Bhagvan” as I type this blog on Valentine’s Day. Bhagvan is someone glorious, illustrious, revered, venerable, divine, or holy.
I am sitting next to “Bhagvan” as I type this blog on Valentine’s Day. Bhagvan is someone glorious, illustrious, revered, venerable, divine, or holy.