Harinder Singh is the Senior Fellow at the Sikh Research Institute. He holds a BS in Aerospace Engineering from Wichita State University, an MS in Engineering Management from the University of Kansas, and an MPhil from Punjab University in the linguistics of the Guru Granth Sahib.
He co-founded the Sikh Research Institute and the Panjab Digital Library, envisioned the Kaur and Singh Academy, and organized the Free Akal Takht campaign.
He appears on radio and television programs and speaks at universities, parliaments, museums, conferences, and civic institutions. He has authored several books and numerous articles integrating the political and the spiritual. He consults on curriculums, exhibitions, and films and is featured in many documentaries on the Sikhs, the Panjab, and South Asian matters.
His current focus is on developing critical thinking for Sikh institutions via the State of the Panth report series and developing open-source decoding of Guru Granth Sahib in contemporary Panjabi and English for a global audience.
He has served on the National Conference on Community and Justice boards, The Fellowship of Activists to Embrace Humanity, The Nanakshahi Trust, among others. He looks for culturally-specific things to experience and a light roast pour-over coffee to sip during travels, reads and binge-watches to stay in touch with what the world is up to, and listens to sabads, poetry, Hir, jazz, and political rap.
Harinder Singh resides with his family in the United States.
If you want to follow the ideas in the house of Guru Nanak Sahib, then it is Nam; it is identifying with that force, identifying with that One, that produces what? Chardi Kala, which is Rising Power. You rise.
Harinder Singh’s conversation covers a range of themes with Mr. Harvinder Singh Phoolka from Sikh, Panjabi, Indian, and International perspectives.
What has happened is there are cultural influences and personal biases; the larger hegemonic culture plays a role. This is not a product of Sikh ethos when women are either not allowed or are not being empowered to take certain leadership positions.
Nam Simran holds significant importance in Sikhi, extending far beyond mere identification with the Divine. ‘Nam’ goes beyond identification, and ‘Simran’ signifies remembrance.
Join Harinder Singh and Jasleen Kaur as they discuss the larger context around the latest events in Canada. What is the background needed to make sense of current events? What does this mean for Sikhs globally?
“The question really is in the spirit form: why do we recite them? Because this is how we learn to relate with IkOankar, the one divine Force, the one All-Pervasive and Creative force..."
In this Sabad attributed to Bhagat Ravidas, a profound contemplation unfolds. This composition finds its musical foundation in Rag Gujri, an ancient melodic mode reserved for the early hours of the day, evoking a sense of serene awakening.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
Harinder Singh talks about Valentine's Day, the concept of Love in Sikhi, Martyrdom, the Lovers of Punjab and more.
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
117 members for the Panjab Legislative Assembly will be elected in five days. Like it or not, the stark reality is that caste and religion play a big role throughout India, including Panjab.
Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.
Explore the Sabad (Shabad) of Bhagat Ravidas in the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.
I am sitting next to “Bhagvan” as I type this blog on Valentine’s Day. Bhagvan is someone glorious, illustrious, revered, venerable, divine, or holy.
Join Harinder Singh as he discusses Guru Nanak Dev Ji's Medicine For Life.