Harinder Singh is the Senior Fellow at the Sikh Research Institute. He holds a BS in Aerospace Engineering from Wichita State University, an MS in Engineering Management from the University of Kansas, and an MPhil from Punjab University in the linguistics of the Guru Granth Sahib.
He co-founded the Sikh Research Institute and the Panjab Digital Library, envisioned the Kaur and Singh Academy, and organized the Free Akal Takht campaign.
He appears on radio and television programs and speaks at universities, parliaments, museums, conferences, and civic institutions. He has authored several books and numerous articles integrating the political and the spiritual. He consults on curriculums, exhibitions, and films and is featured in many documentaries on the Sikhs, the Panjab, and South Asian matters.
His current focus is on developing critical thinking for Sikh institutions via the State of the Panth report series and developing open-source decoding of Guru Granth Sahib in contemporary Panjabi and English for a global audience.
He has served on the National Conference on Community and Justice boards, The Fellowship of Activists to Embrace Humanity, The Nanakshahi Trust, among others. He looks for culturally-specific things to experience and a light roast pour-over coffee to sip during travels, reads and binge-watches to stay in touch with what the world is up to, and listens to sabads, poetry, Hir, jazz, and political rap.
Harinder Singh resides with his family in the United States.
“Sidh Gosti: Learning through Dialogue” is a 5-day Sidak online course that explores the Bani of Guru Nanak Sahib. Enhance your relationship with IkOankar, engage in critical conversations about issues affecting Sikh families and the Panth, and develop opinions on non-Sikh topics supported by a Gurmat framework.
Watch Harinder Singh, Manvinder Kaur and Jasleen Kaur as they try to understand Miri-Piri from a Gurmat (Guru’s Way) perspective, as inferred from Bani (wisdom), Tavarikh (history), and Rahit (lifestyle).
Why is Remembrance necessary? Harinder Singh and Manpreet Singh talk about 1984 and parallels with human rights movements today.
This Sidak event provides participants aged 18-40 a 4-hr glimpse into the 2-week Sidak summer leadership program. The prospective Sidakers will get a chance to preview learning and sharing via the curated content and the inspired facilitators.
Session 2 - Connecting Through Sabad: Diveesh Singh, Jasleen Kaur, Kiran Kaur, and Satprit Kaur share transcreating techniques with the participants to strengthen their connection with Guru through Sabad.
Harinder Singh dives into the events of June and November 1984, the myths and realities of the attacks, their importance in a Sikh context, and a vision for the future that is rooted in progress and justice.
This Sabad by Guru Ramdas Sahib within Rag Sorath encompasses a tapestry of emotions: seriousness, love, separation, longing, and detachment. Traditionally performed, it encapsulates a spectrum of human experiences.
In this Sabad attributed to Bhagat Ravidas, a profound contemplation unfolds. This composition finds its musical foundation in Rag Gujri, an ancient melodic mode reserved for the early hours of the day, evoking a sense of serene awakening.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
Harinder Singh talks about Valentine's Day, the concept of Love in Sikhi, Martyrdom, the Lovers of Punjab and more.
In the ninth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that the One Divine will remain fully capable of destroying and creating.
In the eighth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib questions how That One can be said to be in one human form.
In the seventh composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib locates the Creator as the Death; there is no god or messenger of death to fear.
In the sixth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib calls on his 1-Beloved-Friend on behalf of the Khalsa in the forests of Machhiwara.
In the fifth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib emphatically declares that anyone created or formed by the 1 cannot be confused with the 1 and...
In the fourth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib proclaims to the world that he seeks the protection from only the 1-Divine; his honor and dignity are with the 1.
Shahadats in Sikh History: Harinder Singh will explore martyrdoms from 1606 to 1984, delving into the causes behind them and how they are commemorated.
Join Harinder Singh and Prof. Mohanbir Singh Sawhney for an enriching presentation and Q&A in Chicago.
This presentation explores Guru Ramdas Sahib’s Vanjara, situating it within its cultural framework and lived experience. We will reflect on the composition's foundational themes and their relevance to our daily...