Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI), where she leads content creation, branding, and external communications.
She has been deeply involved with SikhRI since 2009, having served as an Advisory Council Member, Board Member, Chair of the Board (2014–2016), Chief Executive Officer (2016–2019), and currently as Creative Director (2019–present).
A frequent speaker at community and interfaith gatherings—including engagements with the U.S. Office of the Pentagon Chaplain and several universities—Inni brings Sikh teachings into accessible dialogue with diverse audiences.
She is a passionate author, poet, and artist. Her published works include Journey with the Gurus, a children’s book series inspired by the life and teachings of Guru Nanak Sahib, Sakhi-Time with Nani ji, Thank You, Vahiguru, Daddy’s Turban, The Story of Us, The Fragrance of Bhai Vir Singh, Resilient Roots: A Sikh Family’s Journey, and The Brave Nightingale and The Golden Temple.
Inni is deeply immersed in the transcreation of Sabad (Infinite Wisdom) and the writings of Bhai Vir Singh, infusing her work with reverence, clarity, and poetic insight. Inni’s writing is grounded in Sikh thought and inspired by the beauty of everyday moments—cloud-watching, mindful walks, and quiet reflection. She resides in the United States.
Inni Kaur, Creative Director at Sikh Research Institute (SikhRI), shares her thoughts on what she has been contemplating on this Vaisakhi.
In this video Inni Kaur shares her profoundly personal and spiritual journey to Sri Harimandar Sahib.
Inni Kaur, Creative Director at Sikh Research Institute (SikhRI), shares her thoughts on what she has been contemplating on this Vaisakhi.
This composition explores the idea of bliss and how to achieve it. In the Sikh tradition, Anand Sahib is of such great significance that the entire composition or a portion (first five pauris and last pauri) is recited or sung to conclude all...
This composition explores the idea of bliss and how to achieve it. In the Sikh tradition, Anand Sahib is of such great significance that the entire composition or a portion (first five pauris and last pauri) is recited or sung to conclude...
Stanzas eleven to twenty of Anand Sahib by Guru Amardas Sahib delve into the pursuit of bliss, a concept of great significance in the Sikh tradition. Discover the joy within and experience the resonance of Rag Ramkali. Embrace the journey towards bliss...
This Sabad, composed by Guru Arjan Sahib, unfolds in the musical essence of Rag Sorath, celebrated for its simplicity and sweetness.
Listen as we explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
In his twelfth ghazal, Bhai Nand Lal ‘Goya’ emphasizes the journey toward the Divine, expressed through the recurring phrase “tavān raft” (“one may proceed”). This phrase invites possibility rather than prescription.
Explore the spiritual journey of Inni Kaur as she reflects on the profound significance of Vaisakhi, drawing parallels between the historical events of 1699 and her path of self-discovery.
In his eighth ghazal, Goya refers to the Divine as haq (Truth-Divine), exploring its omnipresence and profound forgiveness. Shifting from direct address to descriptive reverence, Goya reflects on the futility of piety and hypocrisy in the face of...
Embedded in my consciousness are scars that I have borne through the centuries. Deep as they were, deep as they are, Light penetrated, and the healing began.
In his second ghazal, Bhai Nand Lal ‘Goya’ intimately explores his relationship with the Guru as his Beloved. He describes the Beloved’s angelic perfection, where even a single glance sustains him, and celestial and temporal realms pale in comparison...
In his first ghazal, Bhai Nand Lal ‘Goya’ reflects on his relationship with the Guru as one of bandigī (reverence-bondage), a state of surrender and liberatory love. This paradoxical moment of bondage and freedom brings Goya into existence.
Sidak is a transformative educational experience designed for young Sikh adults aged 18 to 39. It brings together seekers from all over the world to learn, grow, and lead with purpose.