Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
She is one of the commentators and transcreators of The Guru Granth Sahib Project. She is passionate about projects that create comfortable spaces for community members of all ages and backgrounds to engage in dialogue and learn from one another. She also loves singing in her free time, whether on stage with her friends or alone in her kitchen.
She hopes to go back to school to pursue a Ph.D. in either religious ethnography or history and fulfill her dream of teaching and learning from others.
Jasleen Kaur resides with her family in the United States.
Explore some of the major themes of Guru Teghbahadar Sahib’s bani as contained in Guru Granth Sahib.
This composition is revealed by Guru Ramdas Sahib (1534-1581 CE) in Rag Sirirag and is recorded on pages 81-82 of the Guru Granth Sahib. It has six stanzas of five lines each. With every stanza, there is an additional stanza of rahau of two lines.
Just like the Alahania revealed by Guru Nanak Sahib, this composition revealed by Guru Amards Sahib also illustrates the impermanence of the material world and inspires the mind towards a perpetual connection with IkOankar (the Divine).
Alahani is a mournful or sorrowful Panjabi folk song. When a person dies, friends and relatives usually visit the deceased’s family to share their sorrow and memories of their loved one’s life and deeds.
Harinder Singh and Jasleen Kaur explore the context of Indic paradigms, rituals, systems, and popular understandings that the Guru addresses in his reframing of renunciation and non-attachment.
Revealed to Baba Sundar, the great-grandson of Guru Amardas Sahib, Sadd holds great significance in the Sikh funeral ceremony and is recited during final rites.
SikhRI Research Associate, Jasleen Kaur discusses the value of Sidak with alumni, Gurpartap Singh.
In this podcast, Jasleen Kaur reflects on Guru Nanak Sahib’s sabad, exploring the question of what is genuine within us, and what elements of ego we must navigate.
In this Sabad, Bhagat Ramanand Ji highlights the significance of remembering the all-pervading IkOankar (the Divine) rather than worshipping the idol of any deity.
Thiti refers to a lunar calendar day, counted from the first to the fifteenth day based on the moon's phases. As a poetic form, Thiti is structured around the fifteen lunar days of the Indic calendar months.
In Sikh tradition, the Birth & Naming Ceremony compositions nurture a sense of connection, love, and gratitude with IkOankar (the Divine).
‘Var Sat,’ commonly called 'Satvar' or 'Satvara,' is a poetic form based on the seven days of the week. It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
Death is a thing we all must do. But we are deeply afraid of it. How do we form a relationship with death? This article explores Salok Mahala 9 as Guru Teghbahadar Sahib helps us confront our fear of death and understand the lessons death...
Miri comes from Perso-Arabic “Amir” or “Emir” and signals political power. Piri comes from the Perso-Arabic “Pir” and signals spiritual power. Miri-Piri encapsulates the Political-Spiritual doctrine in Sikhi, rooted in both the worldly and the timeless...
A reflection on the play of past, present, and future, the play of creation, and the importance of Remembrance.
Healing and accountability in the wake of allegations old and new
Sexuality is a confusing and often avoided topic. It is generally relegated to being a "private" matter, and therefore not openly discussed or engaged with, even within close circles and small communities.
Abortion as defined by the the Oxford dictionary is a “deliberate termination of a human pregnancy, most often performed during the first 28 weeks of pregnancy.” Abortions have long been performed and long been the subject of considerable debate.