Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
She is one of the commentators and transcreators of The Guru Granth Sahib Project. She is passionate about projects that create comfortable spaces for community members of all ages and backgrounds to engage in dialogue and learn from one another. She also loves singing in her free time, whether on stage with her friends or alone in her kitchen.
She hopes to go back to school to pursue a Ph.D. in either religious ethnography or history and fulfill her dream of teaching and learning from others.
Jasleen Kaur resides with her family in the United States.
In saloks thirty-seven through sixty-five, Sheikh Farid Ji describes the typical human life, where beings are drawn to glittery yet ultimately harmful transient things and relationships, spending their entire lives in pursuit of them.
In saloks sixteen to thirty-six, Sheikh Farid Ji reminds us that humility is a noble virtue essential for life. A seeker in love with IkOankar (the Divine) perceives the Divine in all and remains ever humble.
Join Harinder Singh and Jasleen Kaur as they reflect on the life and legacy of Jaswant Singh Khalra, popular narratives around him, and the lesser-known facts about his work.
The Guru Granth Sahib Project is pleased to launch the annotation of the first fifteen saloks by Sheikh Farid Ji, one of the fifteen Bhagat contributors to the Guru Granth Sahib. Saloks traditionally do not have a prescribed rag (musical mode).
This session explores Seva through the lens of Guru Granth Sahib and secondary sources, examining its significance in the Sikh paradigm.
In this three-part session, we will explore Seva through the Gurmat Framework, diving into its essence as revealed in Bani, Sikh history, and its role in our personal and Panthic lives today.
In Sikh tradition, the Birth & Naming Ceremony compositions nurture a sense of connection, love, and gratitude with IkOankar (the Divine).
‘Var Sat,’ commonly called 'Satvar' or 'Satvara,' is a poetic form based on the seven days of the week. It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
Jasleen Kaur reflects on Guru Nanak Sahib’s sabad, exploring the question of what is genuine within us, and what elements of ego we must navigate.
This report provides a comprehensive overview of the current crisis involving Sikhs, Panjab, India, and the diaspora, with a focus on the historical context primarily from 1984 to 2023.
This report aims to understand and explore caste and race within a Sikh worldview, the complexities of their intertwined developments, and the varied responses to practices and structures of casteism and racism from dominant and marginalized groups.
Women’s issues and the issues of gender as it applies to all gender identities are being grappled with globally. These issues have existed throughout history, and as time goes on, they change shape.
In recent news and current events, “beadbi” has come to the forefront as a topic of discussion. But do we as Sikhs collectively understand what beadbi is, how it has been dealt with historically,...
As the world becomes more interconnected, we understand how some have an abundance of monetary wealth, and others do not, and the more we understand the various needs unaddressed in our backyards and abroad.
This webinar invites you to pause and reflect: What does Sikhi actually say about death? How are we meant to face it, understand it, and live in its awareness?