Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
She is one of the commentators and transcreators of The Guru Granth Sahib Project. She is passionate about projects that create comfortable spaces for community members of all ages and backgrounds to engage in dialogue and learn from one another. She also loves singing in her free time, whether on stage with her friends or alone in her kitchen.
She hopes to go back to school to pursue a Ph.D. in either religious ethnography or history and fulfill her dream of teaching and learning from others.
Jasleen Kaur resides with her family in the United States.
In this composition, Guru Amardas Sahib emphasizes that IkOankar (the Divine) is the Creator of the entire creation. It illustrates how beings attached to transient things and relationships remain trapped in the cycle of birth and death.
Var Sat, commonly known as ‘Satvar’ or ‘Satvara,’ is an old and popular poetic form based on the seven days of the week. In it, each stanza begins with a particular day of the week and describes an idea, sentiment, or belief associated with that day.
Jasleen Kaur serves as a Research Associate at SikhRI and one of the commentators and transcreators of The Guru Granth Sahib Project.
Thiti refers to a lunar calendar day—a count from the first to the fifteenth day based on the moon's phases. As a poetic form, Thiti is based on the fifteen lunar days of the Indic calendar months.
The poetic form ‘Var Sat’ (a composition based on the seven days of the week) is commonly called ‘Satvar’ or ‘Satvara.’ It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
The essence of this composition is revealed in the stanza of rahau (pause). In it, worldly accounting (entanglements) is described as useless.
Thiti refers to a lunar calendar day, counted from the first to the fifteenth day based on the moon's phases. As a poetic form, Thiti is structured around the fifteen lunar days of the Indic calendar months.
In Sikh tradition, the Birth & Naming Ceremony compositions nurture a sense of connection, love, and gratitude with IkOankar (the Divine).
‘Var Sat,’ commonly called 'Satvar' or 'Satvara,' is a poetic form based on the seven days of the week. It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Sikhi 201 Facilitator Jasleen Kaur reflects on the first week of Sidak through the lens of Guru Nanak Sahib’s ‘So Daru.’
The murder of Henry Nowak by an Amritdhari Sikh in the UK has triggered global backlash against Sikhs and calls to ban the Kirpan. This article looks beyond the immediate controversy to ask what the Kirpan truly represents, examining Sikh theology...
In this blog, Jasleen Kaur reflects on her Sikhi journey through the saloks of Sheikh Farid Ji. She explores themes of genuineness and pretense, patience and vastness, and the profound value of experiencing separation.
Jasleen Kaur reflects on Guru Nanak Sahib’s sabad, exploring the question of what is genuine within us, and what elements of ego we must navigate.
This report provides a comprehensive overview of the current crisis involving Sikhs, Panjab, India, and the diaspora, with a focus on the historical context primarily from 1984 to 2023.
This report aims to understand and explore caste and race within a Sikh worldview, the complexities of their intertwined developments, and the varied responses to practices and structures of casteism and racism from dominant and marginalized groups.