.svg)
Examples of this poetic genre are found only in the Guru Granth Sahib. Dividing day and night into four quarters each and expressing one’s feelings through them is the classical basis of this poetic genre.
To liberate the commoner from the superstition of believing in the auspiciousness or inauspiciousness of a time period and keeping in mind the importance of this unit of time in social life, the Gurus used this poetic genre to communicate their beliefs.
.svg)
.svg)
Surender Pal Singh is a Senior Research Associate at the Sikh Research Institute. He holds a Master’s degree in Religious Studies and English.
View profile ⟶The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
Suggest a correction →.svg)
Join Researchers Santbir Singh and Damanpreet Singh as they reflect on Vaisakhi and the principle of sovereignty.
In the second set of savaiays, Guru Arjan Sahib gently awakens us to a difficult truth: our own forgetfulness. Caught in the waves of worldly attachments, we lose sight of our true purpose: the remembrance of the Nam of IkOankar.
In Bani, the seeker often speaks in the voice of the human-bride longing for union with the Divine-Husband, IkOankar—a profound metaphor that transcends gender and invites all seekers into intimacy, humility, vulnerability, and love.
.png){kind=small}
.png){kind=small}
.png){kind=small}
Stay informed with our weekly updates, important events and more at SikhRI.
