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Examples of this poetic genre are found only in the Guru Granth Sahib. Dividing day and night into four quarters each and expressing one’s feelings through them is the classical basis of this poetic genre.
To liberate the commoner from the superstition of believing in the auspiciousness or inauspiciousness of a time period and keeping in mind the importance of this unit of time in social life, the Gurus used this poetic genre to communicate their beliefs.
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Surender Pal Singh is a Senior Research Associate at the Sikh Research Institute. He holds a Master’s degree in Religious Studies and English.
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In this poetic reflection, writer and narrator Inni Kaur invites us into three quiet evenings she spent in 2025 at Harimandar Sahib—sitting in the parikrama, watching the sunset, listening to Rehras Sahib, and simply being.
Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
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