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Examples of this poetic genre are found only in the Guru Granth Sahib. Dividing day and night into four quarters each and expressing one’s feelings through them is the classical basis of this poetic genre.
To liberate the commoner from the superstition of believing in the auspiciousness or inauspiciousness of a time period and keeping in mind the importance of this unit of time in social life, the Gurus used this poetic genre to communicate their beliefs.
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Surender Pal Singh is a Senior Research Associate at the Sikh Research Institute. He holds a Master’s degree in Religious Studies and English.
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In saloks sixty-six through ninety-two, Sheikh Farid Ji reminds us that with each day comes someone’s time to depart this world. All those here are like guests; yet they spend their lives oblivious, forgetting to prepare for the journey ahead.
Inni Kaur reflects on how wind, rivers, and skies reveal Guru Nanak Sahib’s Presence. Through poetic narration, this inward journey explores Hukam, grace, and the jewel of Nam, guiding us closer to Divine love.
In saloks thirty-seven through sixty-five, Sheikh Farid Ji describes the typical human life, where beings are drawn to glittery yet ultimately harmful transient things and relationships, spending their entire lives in pursuit of them.
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