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Examples of this poetic genre are found only in the Guru Granth Sahib. Dividing day and night into four quarters each and expressing one’s feelings through them is the classical basis of this poetic genre.
To liberate the commoner from the superstition of believing in the auspiciousness or inauspiciousness of a time period and keeping in mind the importance of this unit of time in social life, the Gurus used this poetic genre to communicate their beliefs.
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Surender Pal Singh is a Senior Research Associate at the Sikh Research Institute. He holds a Master’s degree in Religious Studies and English.
View profile ⟶The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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In saloks sixteen to thirty-six, Sheikh Farid Ji reminds us that humility is a noble virtue essential for life. A seeker in love with IkOankar (the Divine) perceives the Divine in all and remains ever humble.
Listen as Harinder Singh and Jasleen Kaur reflect on the life and legacy of Jaswant Singh Khalra, popular narratives around him, and the lesser-known facts about his work.
The first fifteen saloks by Sheikh Farid Ji convey that the span of every being’s life is predetermined and finite. The being has come into this world to engage in devotion of IkOankar (the Divine) and to live a life of humility and non-attachment.
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