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In this composition, Baba Sundar records the last instructions from Guru Amardas Sahib for the Sikhs to observe when the Guru departs. These instructions cover spiritual and social guidance, interwoven with a historical narration.
'Sadd' refers to an invitation, a call, or a heartfelt cry, particularly within the Panjabi culture, where it invokes the imagery of calling out loudly to a loved one. When Guru Amardas Sahib (1479-1574 CE) realized that the time had come for him to leave the earthly realm, he sent an invitation to his family and disciples, conveying the message of his departure as per the call from IkOankar (the Divine).
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Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
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Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
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