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In this composition, Baba Sundar records the last instructions from Guru Amardas Sahib for the Sikhs to observe when the Guru departs. These instructions cover spiritual and social guidance, interwoven with a historical narration.
'Sadd' refers to an invitation, a call, or a heartfelt cry, particularly within the Panjabi culture, where it invokes the imagery of calling out loudly to a loved one. When Guru Amardas Sahib (1479-1574 CE) realized that the time had come for him to leave the earthly realm, he sent an invitation to his family and disciples, conveying the message of his departure as per the call from IkOankar (the Divine).
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Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
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To mark the 40th year of the violence of 1984, we reflect on the events that unfolded in India and make connections with the ongoing and durable violence against Sikhs, Muslims, and other minority groups in India and the diaspora.
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
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