The Guru Granth Sahib Project

The Guru Granth Sahib Project

In an era filled with desecration, distortion, and disconnection, this project was initiated to provide a greater opportunity for everyone to develop a personal relationship with the Guru Granth Sahib. SikhRI recruited an international team of specialists and subject matter experts to begin a process of "transcreation," composition by composition, beginning with Asa Ki Var. Transcreation is the process of developing meaningful interpretation, while providing content in both modern Panjabi and English. SikhRI's transcreation process is meant to generate a rich context to illuminate the language, aesthetics, musicology, history, culture, and philosophy contained within the Guru Granth Sahib.

Videos

Thursday
,
16
January
2025

Explore Bani Bhagat Surdas Ji

Bhagat Surdas Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib, whose composition is recorded on page 1253. The line urges the mind to forsake the company of those who have turned away from IkOankar (the Divine).

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Thursday
,
19
December
2024

Explore Var Sat (Kabir Ji)

The poetic form ‘Var Sat’ (a composition based on the seven days of the week) is commonly called ‘Satvar’ or ‘Satvara.’ It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.

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Tuesday
,
26
November
2024

Explore Patti (Mahala 3)

The essence of this composition is revealed in the stanza of rahau (pause). In it, worldly accounting (entanglements) is described as useless.

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Thursday
,
17
October
2024

Explore Patti (Mahala 1)

Patti is a poetic form based on the Gurmukhi alphabet. Historically, students used a wooden tablet, known as patti in Panjabi, to practice writing the alphabet. The Guru Granth Sahib includes many compositions based on the alphabet.

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Thursday
,
19
September
2024

Explore Bani Bhagat Sain Ji

In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.

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Thursday
,
22
August
2024

Explore Chaubole

Chaubole is typically described as a poetic form governed primarily by meter and lines, usually four, as a song with four segments, or as a verse containing four languages.The theme of the Chaubole composition by Guru Arjan Sahib is love.

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Wednesday
,
1
September
2021

The 4 Sabads of So Purakhu - Guru Granth Sahib Project

Guru Granth Sahib Project's Harpreet Kaur reflects working on the So Purakhu Bani.

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Thursday
,
16
September
2021

Guru Teghbahadar Sahib in Rag Jaitsari - The Guru Granth Sahib Project

​​The Guru Granth Sahib Project is pleased to launch the annotation of three Sabads, Infinite-Wisdom, of Guru Teghbahadar Sahib in Rag (musical mode) Jaitsari. This ancient rag evokes a mood of happiness and bliss.

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Thursday
,
21
October
2021

Explore Rag Bilaval & Rag Tilang

The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Tilang, and three are in Rag Bilaval.

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Thursday
,
16
December
2021

Explore Rag Dhanasari & Rag Sarang

The Guru Granth Sahib Project is pleased to launch the annotation of eight Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Dhanasari (a musical mode), and four are in Rag Sarang. 

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Thursday
,
20
January
2022

Guru Teghbahadar Sahib in Rag Jaijavanti & Rag Basant

The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Jaijavanti (a musical mode), and five are in Rag Basant. 

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Wednesday
,
16
February
2022

Explore Rag Gauri

The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib in Rag Gauri. Gauri is a Rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.

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Articles

Tuesday
,
10
October
2023

Stanza Structure in a Sabad

While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.

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Tuesday
,
10
October
2023

Stanza Structure in a Sabad

While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.

READ More ⟶

Podcasts

Thursday
,
23
January
2025

Explore Bani Bhagat Surdas Ji

Bhagat Surdas Ji, one of the fifteen Bhagat contributors to the Guru Granth Sahib, has a composition recorded on page 1253. This line encourages the mind to abandon the company of those who have turned away from IkOankar (the Divine).

LISTEN NOW⟶
Thursday
,
26
December
2024

Explore Var Sat (Kabir Ji)

‘Var Sat,’ commonly called 'Satvar' or 'Satvara,' is a poetic form based on the seven days of the week. It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.

LISTEN NOW⟶
Wednesday
,
11
December
2024

Explore Mahala 5 Gatha

Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.

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Thursday
,
28
November
2024

Explore Patti (Mahala 3)

The essence of this composition is revealed in the stanza of rahau (Pause). In it, worldly accounting (entanglements) is described as useless.

LISTEN NOW⟶
Wednesday
,
20
November
2024

Explore Thiti (Mahala 5) [Part 1]

Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.

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Thursday
,
24
October
2024

Explore Patti (Mahala 1)

Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.

LISTEN NOW⟶
Friday
,
30
October
2020

The Guru Granth Sahib Project — Live Webinar

Our panel discusses the newly launched Guru Granth Sahib Project. The Project states that, although there are Gurbani translations available in Panjabi text belonging to the early twentieth century by many celebrated Sikh giants, and some in English from recent times, there is a need for a fresh perspective for contemporary audiences. The project aims to make the Guru Granth Sahib accessible to English speakers globally via technology. Our lead Researchers discuss the challenges in creating this work, their transcreation process, and how these translations may differ from others.

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Thursday
,
7
December
2023

Explore Anand Sahib (Stanzas 1-10)

Delve into the profound wisdom behind the word 'anand,' as the Guru emphasizes that genuine bliss originates from eternal Wisdom, guiding seekers toward a joyful transformation. 

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Friday
,
15
December
2023

Explore Anand Sahib (Stanzas 11-20)

Stanzas eleven to twenty of Anand Sahib by Guru Amardas Sahib delve into the pursuit of bliss, a concept of great significance in the Sikh tradition. Discover the joy within and experience the resonance of Rag Ramkali. Embrace the journey towards bliss...

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Tuesday
,
9
January
2024

Explore Anand Sahib (Stanzas 21-30)

This composition explores the idea of bliss and how to achieve it. In the Sikh tradition, Anand Sahib is of such great significance that the entire composition or a portion (first five pauris and last pauri) is recited or sung to conclude all...

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Sunday
,
14
January
2024

Explore Rag Gauri

The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib in Rag Gauri. Gauri is a Rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.

LISTEN NOW⟶
Thursday
,
25
January
2024

Explore Anand Sahib (Stanzas 31-40)

In the Sikh tradition, Anand Sahib is of such great significance that the entire composition or a portion (first five pauris and last pauri) is recited or sung to conclude all congregational and private ceremonies.

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