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The next sakhi takes us to Mecca in Saudi Arabia. Around the year 1525, Guru ji and Bhai Mardana arrived in Mecca. Guru ji’s interaction with the qazi (a Muslim scholar) was very shaky at first because the qazi thought Guru ji was disrespectful. The qazi felt that Guru ji should not be pointing his feet towards the Kaa’ba. To the qazi, Vahiguru existed only in Kaa’ba. Guru ji tuned into this and made it a point to educate the qazi that Vahiguru is all around us. Vahiguru created everything and exists within every heart. It’s important to see what the meaning of such truly is. Listen to this podcast to enlighten your mind about Vahiguru.
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Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI), where she leads content creation, branding, and external communications.
View profile ⟶Arpinder Kaur is a Commercial Pilot with American Airlines since 2008. She lives in Dallas with her family.
View profile ⟶The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
2-time Sidaker Manmit Singh joins Jasleen Kaur to reflect on connection, community, and their deepening relationship with Asa ki Var, a guiding light through threads of hope and hopelessness.
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