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“I experienced some worries just because I had been to Sikh camps before; there’s worry about I won’t be as well-read as other people and maybe I’m starting at ground zero whereas everyone else is a Sikh scholar. Those feelings of doubt did creep in. It did help to ask questions and just remember that, there’s probably other people that applied for this for the same reasons I did and there probably will be people that are there to learn.”
Sidaker, Karmine Kaur, sheds light on the impact of Sidak, from empowerment to unlearning preconceived notions with Sidak Facilitator, Jasleen Kaur. Together, they chat about the internal feelings of doubt and disconnectedness that may arise at the thought of joining a Sikh leadership program.
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Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
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Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
2-time Sidaker Manmit Singh joins Jasleen Kaur to reflect on connection, community, and their deepening relationship with Asa ki Var, a guiding light through threads of hope and hopelessness.
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