This presentation will examine Maharaja Ranjit Singh’s role as a secular ruler through a 19th century tomb in Lahore built by Rani Gulbahar Begum, his Muslim wife. The Maharaja’s religious non-discriminatory policies will be discussed based on information gleaned from his court chronicles and some official documents in the Lahore Museum collection. The tomb’s architectural and ornamental features will also be viewed to understand the tastes and craftsmanship of nineteenth century Punjabi patrons and artists. About The Presenter: Nadhra Khan is Assistant Professor of Art History at Lahore University of Management Sciences, Lahore, Pakistan. She specializes in the history of art and architectural ornament of nineteenth century Punjab but her research and teaching interests also cover the earlier Mughal and later colonial visual culture of this region. She has held research fellowships at SOAS, London (Charles Wallace Fellowship, 2010-11), Paris (2015), Princeton (Fulbright, 2014-15), and Oxford (Barakat Trust 2014-15). She is currently working with the Aga Khan Cultural Service, Pakistan (AKCSP), as Consultant Historian for their Lahore Fort Picture Wall project. Her monograph entitled Maharaja Ranjit Singh's Samadhi: Understanding Sikh Architectural Ornament will appear in 2017.
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Suggest a correction →In Sikhi, death is the end of our journey on earth. Unlike some traditions that focus on heaven, hell, or reincarnation, Sikhi emphasizes living a life of love and connection with the Divine....
The Guru Granth Sahib Project is pleased to launch the annotation of four Sabads (compositions) by Sheikh Farid Ji, two each in Rag (musical mode) Asa and Suhi. While Rag Asa is devotional in nature, Rag Suhi is associated with deep love and devotion....
This interactive session examines Seva as both a principle and a revolutionary practice in today’s world. Through discussions, reflections, and hands-on activities, participants will explore how the Guru’s message of Seva can be applied in both Panthic......
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