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Articles
Reflections, opinions and creative expression
Read in-depth interpretations, opinion pieces and creative writing delving into Sikh thought and world matters. Our articles feature writings from the SikhRI team and guest contributors.
Read in-depth interpretations, opinion pieces and creative writing delving into Sikh thought and world matters. Our articles feature writings from the SikhRI team and guest contributors.
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In the tranquil embrace of Rag Kalian, Guru Arjan Sahib's Sabad unfolds with a soothing melody, invoking a sense of peace and blessing-seeking as the evening descends.
In the tranquil embrace of Rag Kalian, Guru Arjan Sahib's Sabad unfolds with a soothing melody, invoking a sense of peace and blessing-seeking as the evening descends.
In the melodic strains of Rag Gond, Guru Ramdas Sahib's Sabad resonates with a triumphant yet humble spirit, reflecting a balanced perspective on spiritual attainment.
In the melodic strains of Rag Gond, Guru Ramdas Sahib's Sabad resonates with a triumphant yet humble spirit, reflecting a balanced perspective on spiritual attainment.
On 22 August 1936, Mohandas Gandhi labeled the proposed conversion of 60 million ‘untouchables’ to Sikhi as “A Dangerous Proposal.”
On 22 August 1936, Mohandas Gandhi labeled the proposed conversion of 60 million ‘untouchables’ to Sikhi as “A Dangerous Proposal.”
In the serene embrace of Rag Todi, Guru Ramdas Sahib's Sabad unfolds, inviting the listener into a realm of profound contemplation and devotion. With its serious and reflective mood, rag Todi serves as the perfect backdrop for exploring the depths...
In the serene embrace of Rag Todi, Guru Ramdas Sahib's Sabad unfolds, inviting the listener into a realm of profound contemplation and devotion. With its serious and reflective mood, rag Todi serves as the perfect backdrop for exploring the depths...
SikhRI exists to connect people with the teachings of Sikhi, making them accessible and easy to digest, for people of all ages, genders, and backgrounds.
SikhRI exists to connect people with the teachings of Sikhi, making them accessible and easy to digest, for people of all ages, genders, and backgrounds.
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
Who can curate a Sikh response? Why is a framework necessary? What is Gurmat? How do Bani, Tvarikh, and Rahit consitute Gurmat? Which sources can be classified as primary and secondary?
Who can curate a Sikh response? Why is a framework necessary? What is Gurmat? How do Bani, Tvarikh, and Rahit consitute Gurmat? Which sources can be classified as primary and secondary?
“Ranjah, I only see love. There is no Hir; there is no Ranjah.”
“Ranjah, I only see love. There is no Hir; there is no Ranjah.”
In the vibrant and energetic ambiance of Basant Rag, Guru Amardas Sahib's Sabad captures the essence of springtime—a season of renewal, joy, and the departure of the cold winter.
In the vibrant and energetic ambiance of Basant Rag, Guru Amardas Sahib's Sabad captures the essence of springtime—a season of renewal, joy, and the departure of the cold winter.
