Damanpreet Singh is a Research Associate at the Sikh Research Institute.
He holds a B.A. in History from Tufts University and an M.T.S. from Harvard Divinity School. He is currently completing his PhD at Yale University. His dissertation examines the history of American Presbyterian missionary presence in colonial-era Panjab to investigate how ideas about Sikh sovereignty were reshaped during the colonial period. He held a pre-doctoral fellowship at MIT's History department in the 2024-2025 academic year. His scholarship has been supported by grants and fellowships from Yale's Center for the Study of Race, Indigeneity, and Transnational Migration, the Houghton Library, and the Society for Historians of American Foreign Relations. He is based in the United States.
Introducing Paigam-i-Goya: Expression of Love , new translations of a selection of ghazals from Bhai Nand Lal “Goya.” Today’s podcast begins with a recitation of Bhai Nand Lal’s ghazal in Persian, followed by a new English transcreation, the result of a unique collaboration between Dr. Fatima Fayyaz and Dr. Nadhra Khan of Lahore University of Management Sciences, Damanpreet Singh, writer, and graduate student, and Inni Kaur of SikhRI, followed by a discussion between Daman and Inni about the beauty of the ghazal and the transcreation process. Follow Damanpreet and Inni as they discuss their learnings and challenges while engaging with the words of Bhai Nand Lal. The unique and symbolic meanings that these ghazals reveal are a treat for those who yearn to get a glimpse into the court of Guru Gobind Singh Sahib. Author: Bhai Nand Lal “Goya” Collection: Divan-i-Goya Transcreators: Fatima Fayyaz, Inni Kaur, Nadhra Khan, and Damanpreet Singh Persian Narrator: Gholamhossein Sajadi English Narrator: Ryan Gillis Persian هوای بندگی آورد در وجود مرا وگرنه زوقِ چنین آمدن نبود مرا خوش است عمر که در یاد بگذرد ورنه چه حاصل است ازین گنبدِ کبود مرا در آن زمان که نیایی بیاد می میرم بغیر یادِ تو زیستن چه سود مرا فداست جان و دلِ من بخاک مردمِ پاک هر آن کس که بسوی تو ره نمود مرا نبود هیچ نشانها ز آسمان و زمین که شوقِ روی تو آورد در سجود مرا بغیر یادِ تو گویا نمی توانم زیست به سوی دوست رھایی دهند زود مرا English Translation I am brought into existence by the embrace of the winds of reverence-bondage. I would not have desired to come into this world, otherwise. Joyous is the life spent in Your remembrance, and if not: What else do I gain from this blue vault? I die when I do not remember You. Besides Your remembrance, what do I gain from living? I surrender my heart-mind to the dust of those pious beings Who guide me towards You. When there was no sign of the sky or earth, It was desire for Your face that brought me into prostration. Goya: I cannot live without remembering You. May I be freed quickly to meet the Beloved.
Bhai Nand Lal’s thirtieth ghazal explores the futility of reaching the Beloved’s lane, emphasizing the superiority of spiritual connection over material wealth. Using the repeated verb nārisad ("to not arrive"), the ghazal highlights the unattainable...
Bhai Nand Lal’s twenty-fifth ghazal is an intimate love letter composed of whispered questions addressed to the Beloved. Each couplet begins with the recurring question “what would happen,” inviting speculation and yearning for reunion.
In his twelfth ghazal, Bhai Nand Lal ‘Goya’ emphasizes the journey toward the Divine, expressed through the recurring phrase “tavān raft” (“one may proceed”). This phrase invites possibility rather than prescription.
In his eighth ghazal, Goya refers to the Divine as haq (Truth-Divine), exploring its omnipresence and profound forgiveness. Shifting from direct address to descriptive reverence, Goya reflects on the futility of piety and hypocrisy in the face of...
In his second ghazal, Bhai Nand Lal ‘Goya’ intimately explores his relationship with the Guru as his Beloved. He describes the Beloved’s angelic perfection, where even a single glance sustains him, and celestial and temporal realms pale in comparison...
In his first ghazal, Bhai Nand Lal ‘Goya’ reflects on his relationship with the Guru as one of bandigī (reverence-bondage), a state of surrender and liberatory love. This paradoxical moment of bondage and freedom brings Goya into existence.