Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
She is one of the commentators and transcreators of The Guru Granth Sahib Project. She is passionate about projects that create comfortable spaces for community members of all ages and backgrounds to engage in dialogue and learn from one another. She also loves singing in her free time, whether on stage with her friends or alone in her kitchen.
She hopes to go back to school to pursue a Ph.D. in either religious ethnography or history and fulfill her dream of teaching and learning from others.
Jasleen Kaur resides with her family in the United States.
The Guru Granth Sahib Project is pleased to launch the annotation of three Sabads of 'Maru Kaphi' by Guru Nanak Sahib in Rag Maru Kaphi. Maru is a rag (musical mode) that evokes feelings of enthusiasm and zeal.
The Guru Granth Sahib Project is pleased to launch the annotation of Ramkali Ki Var by Rai Balvand and Sata Dum.
The Guru Granth Sahib Project is pleased to launch the annotation of four saloks (couplets) of Salok Sahaskriti by Guru Nanak Sahib.
Who is Guru? What is the need for a Guru? What role does a Guru play in one's personal life? Jasleen Kaur explores what Guru means in the Guru Granth Sahib, Sikh history, and tradition.
The Guru Granth Sahib Project is pleased to launch the annotation of Twenty-four saloks (couplets) by Guru Arjan Sahib.
Harinder Singh and Jasleen Kaur speak about a Sikh's relationship with The Guru Granth Sahib.
Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
Guru Arjan Sahib’s Chaubole focuses on love, teaching that true devotion to IkOankar (the Divine) brings constant joy. A lover fully immersed in this love is ready to sacrifice everything for the Beloved.
The ceremony of ‘Anand Karaj’ (blissful task) is very important in ‘Anand Sanskar’ (blissful ceremony). ‘Anand Sanskar’ is considered complete only with the ceremony of ‘Anand Karaj.’
Jasleen Kaur reflects on a Sabad by Bhagat Namdev to help her through some questions she has had during Mental Health Awareness Month: how can the Divine exist in places or situations that we feel are devoid of the One? How can the Divine exist in moments when we feel like we are not ourselves, when we feel like our own Light has been dimmed into almost nothing, when we cannot step ourselves out of our heavy boots just by reminding ourselves of IkOankar — when we cannot think ourselves out of the way that we feel?
In SikhRI’s new monthly blog series, Sabads previously transcreated for the Sabad of the Week podcast will be revisited, with the offering of an individual understanding and perspective on the application of the Sabad’s message in daily life.
In SikhRI’s new monthly blog series, Sabads previously transcreated for the Sabad of the Week podcast will be revisited, with the offering of an individual understanding and perspective on the application of the Sabad’s message in daily life.