Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
She is one of the commentators and transcreators of The Guru Granth Sahib Project. She is passionate about projects that create comfortable spaces for community members of all ages and backgrounds to engage in dialogue and learn from one another. She also loves singing in her free time, whether on stage with her friends or alone in her kitchen.
She hopes to go back to school to pursue a Ph.D. in either religious ethnography or history and fulfill her dream of teaching and learning from others.
Jasleen Kaur resides with her family in the United States.
In this composition, Guru Amardas Sahib emphasizes that IkOankar (the Divine) is the Creator of the entire creation. It illustrates how beings attached to transient things and relationships remain trapped in the cycle of birth and death.
Var Sat, commonly known as ‘Satvar’ or ‘Satvara,’ is an old and popular poetic form based on the seven days of the week. In it, each stanza begins with a particular day of the week and describes an idea, sentiment, or belief associated with that day.
Jasleen Kaur serves as a Research Associate at SikhRI and one of the commentators and transcreators of The Guru Granth Sahib Project.
Thiti refers to a lunar calendar day—a count from the first to the fifteenth day based on the moon's phases. As a poetic form, Thiti is based on the fifteen lunar days of the Indic calendar months.
The poetic form ‘Var Sat’ (a composition based on the seven days of the week) is commonly called ‘Satvar’ or ‘Satvara.’ It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
The essence of this composition is revealed in the stanza of rahau (pause). In it, worldly accounting (entanglements) is described as useless.
In this episode, join Jasleen Kaur, Harinder Singh, and Santbir Singh for a reflective and nuanced conversation about what this case has brought up about the Kirpan, Khalsa identity, masculinity, and our responsibility to one another.
Join Harinder Singh and Jasleen Kaur as they return to the question of ‘sacrilege,’ Sikh governance, and what it means when the state steps in to deal with matters over which Sikh institutions are meant to have authority.
Sidak alum Navnit Kaur chats with Sidak facilitator Jasleen Kaur, reflecting on her past Sidak experience—becoming more open-minded, meeting a diverse sangat from around the world, discovering the beauty of taking a Hukamnama for the first time, and ultim
Sidak alum Ikroop Singh chats with Sidak Facilitator, Jasleen Kaur and reflects on his past Sidak experience—from moving through initial discomfort to having deep conversations, forming meaningful bonds, and becoming more compassionate.
In this podcast, we are invited to pause and reflect: What does Sikhi actually say about death? How are we meant to face it, understand it, and live in its awareness?
In saloks ninety-three through one hundred thirty, Sheikh Farid Ji reminds us that the entire world remains under the sway of death. Even the most well-nourished bodies cannot escape it; when old age arrives, even the once strong become weak.
Women’s issues and the issues of gender as it applies to all gender identities are being grappled with globally. These issues have existed throughout history, and as time goes on, they change shape.
In recent news and current events, “beadbi” has come to the forefront as a topic of discussion. But do we as Sikhs collectively understand what beadbi is, how it has been dealt with historically,...
As the world becomes more interconnected, we understand how some have an abundance of monetary wealth, and others do not, and the more we understand the various needs unaddressed in our backyards and abroad.
Death is a thing we all must do. But we are deeply afraid of it. How do we form a relationship with death? This article explores Salok Mahala 9 as Guru Teghbahadar Sahib helps us confront our fear of death and understand the lessons death...
Miri comes from Perso-Arabic “Amir” or “Emir” and signals political power. Piri comes from the Perso-Arabic “Pir” and signals spiritual power. Miri-Piri encapsulates the Political-Spiritual doctrine in Sikhi, rooted in both the worldly and the timeless...
A reflection on the play of past, present, and future, the play of creation, and the importance of Remembrance.