Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
She is one of the commentators and transcreators of The Guru Granth Sahib Project. She is passionate about projects that create comfortable spaces for community members of all ages and backgrounds to engage in dialogue and learn from one another. She also loves singing in her free time, whether on stage with her friends or alone in her kitchen.
She hopes to go back to school to pursue a Ph.D. in either religious ethnography or history and fulfill her dream of teaching and learning from others.
Jasleen Kaur resides with her family in the United States.
The essence of this composition is revealed in the stanza of rahau (pause). In it, worldly accounting (entanglements) is described as useless.
Patti is a poetic form based on the Gurmukhi alphabet. Historically, students used a wooden tablet, known as patti in Panjabi, to practice writing the alphabet. The Guru Granth Sahib includes many compositions based on the alphabet.
Chaubole is typically described as a poetic form governed primarily by meter and lines, usually four, as a song with four segments, or as a verse containing four languages.The theme of the Chaubole composition by Guru Arjan Sahib is love.
Explore some of the major themes of Guru Teghbahadar Sahib’s bani as contained in Guru Granth Sahib.
This composition is revealed by Guru Ramdas Sahib (1534-1581 CE) in Rag Sirirag and is recorded on pages 81-82 of the Guru Granth Sahib. It has six stanzas of five lines each. With every stanza, there is an additional stanza of rahau of two lines.
Just like the Alahania revealed by Guru Nanak Sahib, this composition revealed by Guru Amards Sahib also illustrates the impermanence of the material world and inspires the mind towards a perpetual connection with IkOankar (the Divine).
So Purakhu is a collection of four Sabads, the source of Infinite-Wisdom, out of which Guru Ramdas Sahib has revealed two Sabads, and one each by Guru Nanak Sahib and Guru Arjan Sahib.
In this podcast, SikhRI Research Associate Jasleen Kaur explores the impact of the Sidak leadership program with alum, Phera Singh.
‘Var Sat’ (seven days) is commonly known as ‘Satvar’ or ‘Satvara.’ Satvara is a classical and popular poetic form based on the seven days of the week.
In this podcast, SikhRI Research Associate Jasleen Kaur explores the impact of the Sidak leadership program with alum, Radhika Kaur.
SikhRI Research Associate, Jasleen Kaur discusses the value of Sidak with alumni, Gurpartap Singh.
In this podcast, Jasleen Kaur reflects on Guru Nanak Sahib’s sabad, exploring the question of what is genuine within us, and what elements of ego we must navigate.
Jasleen Kaur reflects on a Sabad by Bhagat Namdev to help her through some questions she has had during Mental Health Awareness Month: how can the Divine exist in places or situations that we feel are devoid of the One?
In SikhRI’s new monthly blog series, Sabads previously transcreated for the Sabad of the Week podcast will be revisited, with the offering of an individual understanding and perspective on the application of the Sabad’s message in daily life.
In SikhRI’s new monthly blog series, Sabads previously transcreated for the Sabad of the Week podcast will be revisited, with the offering of an individual understanding and perspective on the application of the Sabad’s message in daily life.
This presentation explores Guru Ramdas Sahib’s Vanjara, situating it within its cultural framework and lived experience. We will reflect on the composition's foundational themes and their relevance to our daily...