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Bhakti and Shakti are two sides of the Guru.
While deep internal contemplation and the exuberant worldly power are often painted as dichotomous, Sikh history, Gurbani, architecture, and art all demonstrate their interwoven and complementary nature.
What are the modern applications of these fluid concepts? How do we maintain a true connection to all the strength, internal and external that Sikhi affords us?
Join us in conversation with historians and academics Paneet Singh and Harleen Kaur as we look at the theory and application of the concept in our modern journeys.
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Dr. Jaspreet Kaur completed her PhD in Cultural Studies from Queen’s University in Kingston Ontario, where she focused on children’s rights, education, and returned for fieldwork to her village in Punjab.
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Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
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