.svg)
The Alahania composition revealed by Guru Nanak Sahib redirects and transforms the sorrow and grief of death and separation from loved ones into a serene state, urging the being to embrace the will of IkOankar (the Divine). By illustrating the insignificance and impermanence of the material world, this composition inspires the mind towards a perpetual connection with the eternal companion, IkOankar.
.svg)
.svg)
Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
View profile ⟶The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
Suggest a correction →.svg)
In this poetic reflection, writer and narrator Inni Kaur invites us into three quiet evenings she spent in 2025 at Harimandar Sahib—sitting in the parikrama, watching the sunset, listening to Rehras Sahib, and simply being.
Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
.png){kind=small}
.png){kind=small}
.png){kind=small}
Stay informed with our weekly updates, important events and more at SikhRI.
