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The Alahania composition revealed by Guru Nanak Sahib redirects and transforms the sorrow and grief of death and separation from loved ones into a serene state, urging the being to embrace the will of IkOankar (the Divine). By illustrating the insignificance and impermanence of the material world, this composition inspires the mind towards a perpetual connection with the eternal companion, IkOankar.
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Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
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In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
In this episode, we embark on a deeply personal and spiritual journey to Sri Harimandar Sahib, the Golden Temple, through the evocative words of Inni Kaur.
‘Pahare’ is considered to be a form of folk poetry in Panjabi. This poetic genre is based on the consciousness of time.Examples of this poetic genre are found only in the Guru Granth Sahib.
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