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My mind burns deeply for All-Pervasive’s experience,
as the thirsty without water. 1.
My mind is pierced by the arrow of All-Pervasive’s love.
My All-Pervasive Divine knows my pain, my mind’s internal pain. Reflect.
Whoever tells my All-Pervasive Beloved’s narrative
is my Bhai¹, my brother. 2.
Girl-friends, unite, unite,
imbibe the resolute wisdom of the Eternal Guru,
Recount the virtues of my Divine. 3.
O! All-Pervasive, fulfill servant Nanak’s wish,
Seeing All-Pervasive, body quietens. 4.
We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.
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Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI), where she leads content creation, branding, and external communications.
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In the melodic strains of Rag Gond, Guru Ramdas Sahib's Sabad resonates with a triumphant yet humble spirit, reflecting a balanced perspective on spiritual attainment.
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In this poetic reflection, writer and narrator Inni Kaur invites us into three quiet evenings she spent in 2025 at Harimandar Sahib—sitting in the parikrama, watching the sunset, listening to Rehras Sahib, and simply being.
Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
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