.svg)
Videos
.svg)
Explore Bhagat Sadhna | The Guru Granth Sahib Project
Bhagat Sadhna is one of the fifteen Bhagat contributors to the Guru Granth Sahib and one of the saint-poets of the Medieval period in South Asia.
So Purakhu - Introduction
Join us as we embark on a journey to understand the seekers' quest for a heart connection and a deep love-relationship with So Purakhu, as beautifully described by Guru Ramdas Sahib.
So Purakhu - Sabad 1
In this enlightening video, we dive deep into the first Sabad of So Purakhu, as beautifully expressed by Guru Ramdas Sahib.
So Purakhu - Sabad 2
This enlightening video delves into the profound teachings of the second Sabad of So Purakhu. Guru Ramdas Sahib beautifully explains that the eternal IkOankar (Supreme Being) is the creator and owner of everything in existence.
So Purakhu - Sabad 3
This thought-provoking video explores the profound teachings of the third Sabad of So Purakhu. Guru Ramdas Sahib beautifully illustrates the world as a vast pool, where material possessions represent the water and their allure resembles mud.
So Purakhu - Sabad 4
This enlightening video explores the profound teachings of the fourth Sabad of So Purakhu. Guru Ramdas Sahib guides us to understand that being born as a human presents a unique opportunity to recognize the Supreme Being (IkOankar).
Rang Ratta Mera Sahib in Rag Siri | Guru Granth Sahib 23
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
Bhai Avtar Singh in Tohi Mohi Mohi Tohi Antar Kaisa | Guru Granth Sahib 93
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 404
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
Guru Arjan Sahib in Sorath Rag | Guru Granth Sahib 617 | Harmandar Sahib
All vegetation contains fire, all milk contains clarified butter.In high and low the Light abides, in every being’s heart is Master-Illusionist. 1. O! True Congregation, in each and every heart abides ‘The One.’
Articles
.svg)
Wisdom Enthroned
Embark on a transformative journey through Sikhi’s essence as we explore the Guru Granth Sahib. Beyond a conventional text, it intertwines nature, introspection, and wisdom.
Sabad Hajare Patisahi 10 - Sabad 10: 1’s Identification
In the tenth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that identifying with the attributes and existence of the 1 eliminates fear.
Sabad Hajare Patisahi 10 - Sabad 09: Divine Creator
In the ninth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that the One Divine will remain fully capable of destroying and creating.
Sabad Hajare Patisahi 10 - Sabad 08: That One
In the eighth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib questions how That One can be said to be in one human form.
Sabad Hajare Patisahi 10 - Sabad 07: Creator Death
In the seventh composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib locates the Creator as the Death; there is no god or messenger of death to fear.
Sabad Hajare Patisahi 10 - Sabad 06: Beloved Friend
In the sixth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib calls on his 1-Beloved-Friend on behalf of the Khalsa in the forests of Machhiwara.
Woman: Gateway to Freedom
“The whole Guru Grantha is the voice of a wedded women or a maiden pining in love of the Beautiful. Her nobleness in Guru Grantha is infinite, her freedom is of the highest. Both man and woman as sexes are forgotten in her voice.
Buttons, Jump Ropes, and Chocolate Cake
Every year, when December rolls around, there is much buzz about the holiday season. From Hanukah to Kwanzaa and, of course, Christmas, it is a time of gatherings, decorations and gift exchange.
Tresses & I
When Sabad Graced, I Changed. The Hair That I Did Not Honor, Became My Prized Possession.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
How May I Visualize Guru Gobind Singh Sahib?
In current times, the world is full of abundant images, pictures, portraits, artworks, and illustrations availing stocks and libraries as well as producing films and animations. What are the most appropriate images of the Guru Sahibs?
Podcasts
.svg)
Sabad Hajare Patisahi 10 - Sabad 02: Yoga Disrupted
In this third podcast, Harinder Singh and Jasleen Kaur explore what it means to earn union in comparison to transactional relationships with the divine.
Sabad Hajare Patisahi 10 - Sabad 01: Renunciation Redefined
In this second podcast, Harinder Singh and Jasleen Kaur explore the context of Indic paradigms, rituals, systems, and popular understandings that the Guru addresses in his reframing of renunciation and non-attachment.
Sabad Hajare Patisahi 10 - Introduction
Introducing Sabad Hajare Patisahi 10 (Shabad Hazare Patshahi 10), new translations, and commentaries of Guru Gobind Singh Sahib's composition. This podcast is an introduction to the series.
Beadbi: Distortions, Transgressions, Responses
Join Harinder Singh and Jasleen Kaur as they discuss the larger Sikh context around beadbi as a political problem in need of a political solution. What is beadbi ? How has it been dealt with historically? What are its Panthic and legal understandings? How does it relate to the reverence Sikhs collectively show to the Guru Granth Sahib? And how, given recent cases in the news, can we understand individual and collective responses given the current realities on the ground?
Ep88 - 12 Gurus Series: Guru Granth Sahib
In a new podcast series The 12 Gurus: From 1469 to Infinity, SikhRI sheds light on the lives and meaning of Gurus in Sikhi. Were they spiritualists and reformers or Divine and Revolutionaries? What lessons can we draw from them?
Those Who Forget Nam Become a Burden on the Earth
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
My Sovereign is Dyed in Color-Love
In this podcast we talk about this week's Sabad with Inni Kaur: "My Sovereign is dyed in color-love" Sabad.
You & I, I & You; What’s the Difference?
This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Sikh Cast Ep27 - "Perfect Guru instilled All-Pervasive’s Nam-without Nam life is pointless"
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Those Who Forget Nam Become a Burden on the Earth
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
