The poem begins with the hero’s death, Rana (King) Surat Singh, and its profound and shattering effect on his young widow, the Rani (Queen) Raj Kaur. At the onset of the poem, the poet makes us aware that the Rani’s love for the Rana was at a physical level. So immersed was the Rani in her love for the Rana that it blinded her to his illuminated and enlightened self. As much as the Rana wanted her to be a part of his spiritual journey, the Rani could not see him beyond his physical self.
As we become immersed in the poem, we witness the transformation of her physical yearnings into spiritual ones. We journey with her through the various stages of her inner development, from the Realm of Principle to the Realms of Knowledge, Effort, Grace, and Eternity—the final abode. Guided by a Guru-inspired being, the Rani is introduced to the “Love Path.”
In the first podcast, we discuss:
What is longing?
What is satsang (company of inspired beings)?
What is seva (service)?
The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
Suggest a correction →SikhRI Research Associate, Jasleen Kaur discusses the value of Sidak with alumni, Gurpartap Singh.
In this podcast, Jasleen Kaur reflects on Guru Nanak Sahib’s sabad, exploring the question of what is genuine within us, and what elements of ego we must navigate.
On 14 March, in celebration of the Nanakshahi Sikh New Year, The Guru Granth Sahib Project released the annotation of Barah Maha, a powerful composition revealed by Guru Arjan Sahib in Rag Majh.
Stay informed with our weekly updates, important events and more at SikhRI.