Our final session examines the last sabad of Babarvani (Utterances on Babar), found in Rag Tilang (Guru Granth Sahib, p. 722). This sabad is unique in its structure, beginning as a direct address to Bhai Lalo, the Guru’s devoted Sikh who witnessed the...
In this session, we explore the third sabad from Babarvani (Utterances on Babar) and Rag Asa (Guru Granth Sahib, p. 417). Guru Nanak Sahib exposes the fleeting nature of material wealth, describing how the riches of the elite vanish in an instant with...
This session focuses on the second sabad from Babarvani (Utterances on Babar) and also in Rag Asa (Guru Granth Sahib, p. 417).
In our first session, we explore the background of Babarvani (Utterances on Babar), beginning with the meaning of Vani, the identity of Babar, and the political landscape of South Asia at the time.
In this lesson, we will explore the Sabad by Guru Ramdas Sahib. The Guru starts the Sabad by informing us that our body and mind are quite literally a village.
Learn more about Guru Nanak Sahib and his relationship with his best friend, Bhai Mardana, who he would travel with.
This workshop is specifically designed for young children, ages 6-10. Children will walk through a Sabad by Bhagat Kabir Ji using illustrative material and learn about qualities of the Divine.
Inderpreet Singh explores the Guru-Personality of the Ten Nanaks and the qualities that they embodied through a historical perspective.
Kulvir Singh explores the institution itself, from Guru Nanak Sahib to Guru Gobind Singh Sahib finally merging into the eternal dual personality of Guru Granth Sahib - Guru Khalsa Panth.
In this Sabad by Guru Arjan Sahib, we are reminded that day by day; our lifespan is getting shorter, reminding us that we will one day leave this world.
Sohila is in the Guru Granth Sahib. The composition begins on page 12 and spans five Sabads (Infinite Wisdom), each of which has a theme that we will delve deeper into throughout this series.
Sohila is often regarded as the song of bliss, the song of praise, or the wedding songs. The praises that we need to sing are the praises of the Fearless One, the Nirbhao. Once we sing such praises, we adopt them, and they become a part of us.
Jasleen Kaur, SikhRI researcher, joins Sidak alumni, Jaspreet Singh, to talk about the Sikhi 201 track and how Sidak impacted his life. Five years after attending Sidak, Jaspreet shares his experience and learnings from the annual Sikh leadership program.
Jasleen Kaur, SikhRI researcher, joins Sidak alumni, Jaspreet Singh, to talk about the Sikhi 201 track and how Sidak impacted his life. Five years after attending Sidak, Jaspreet shares his experience and learnings from the annual Sikh leadership program.
The Guru Ka Bagh Morcha (1922) showcases the indomitable spirit of the Sikh community in its pursuit of protecting its heritage and reclaiming control over its sacred spaces. This significant chapter demonstrates the relentless quest for autonomy and identity set against the backdrop of British colonial rule.