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Videos
Interviews, discussions & presentations
Recordings from past webinars, live events and presentations by SikhRI presenters, as well as creative explorations of Sikh concepts.
Recordings from past webinars, live events and presentations by SikhRI presenters, as well as creative explorations of Sikh concepts.
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Sikhs have a small and extremely limited presence in the mainstream media. Even though the Sikh community has been active in every walk of life - athletics, politics, scientists, writers, filmmakers, cartoonists etc our stories are often relegated to the "religious" section in the media. In today's world media dictates the narrative and opinions. If we Sikhs don't tell our stories, nobody else will. Harleen, a documentary film maker talks about her projects, her journey and her challenges. She shares her vision of how Sikh stories can be better integrated with mainstream stories. About the Presenter: Harleen is an independent film maker and makes her movies under the banner Kaur Films. Prior to making films, she worked as a marketing professional, and launched various media campaigns for consumer product brands. Born and raised in India, Harleen now calls San Francisco bay area as her home. Here she devotes her time to various organizations including serving as a member of the jury for the United Nations Association Film Festival (UNAFF). Her other interests include photography and golf.
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
This presentation will examine Maharaja Ranjit Singh’s role as a secular ruler through a 19th century tomb in Lahore built by Rani Gulbahar Begum, his Muslim wife. The Maharaja’s religious non-discriminatory policies will be discussed based on information gleaned from his court chronicles and some official documents in the Lahore Museum collection. The tomb’s architectural and ornamental features will also be viewed to understand the tastes and craftsmanship of nineteenth century Punjabi patrons and artists.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Harinder Singh (Senior Fellow, Research & Policy) speaks on the topic of: Guru Gobind Singh Sahib: Emperor-Prophet - Life & Legacy - Sources & Context Read Harinder Singh's Blog here: http://www.sikhri.org/how_may_i_visualize_guru_gobind_singh_sahib
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
