Harinder Singh is the Senior Fellow at the Sikh Research Institute. He holds a BS in Aerospace Engineering from Wichita State University, an MS in Engineering Management from the University of Kansas, and an MPhil from Punjab University in the linguistics of the Guru Granth Sahib.
He co-founded the Sikh Research Institute and the Panjab Digital Library, envisioned the Kaur and Singh Academy, and organized the Free Akal Takht campaign.
He appears on radio and television programs and speaks at universities, parliaments, museums, conferences, and civic institutions. He has authored several books and numerous articles integrating the political and the spiritual. He consults on curriculums, exhibitions, and films and is featured in many documentaries on the Sikhs, the Panjab, and South Asian matters.
His current focus is on developing critical thinking for Sikh institutions via the State of the Panth report series and developing open-source decoding of Guru Granth Sahib in contemporary Panjabi and English for a global audience.
He has served on the National Conference on Community and Justice boards, The Fellowship of Activists to Embrace Humanity, The Nanakshahi Trust, among others. He looks for culturally-specific things to experience and a light roast pour-over coffee to sip during travels, reads and binge-watches to stay in touch with what the world is up to, and listens to sabads, poetry, Hir, jazz, and political rap.
Harinder Singh resides with his family in the United States.
Join Harinder Singh at Bhai Vir Singh Sahitya Sadan, Delhi, as he explores Bhai Vir Singh's unique framing of Sikh history on 25 September 2024.
Join Harinder Singh as he delves into The Eternal Spirit of Giving, exploring timeless wisdom from the Guru Granth Sahib. This talk invites reflection on the essence of giving—not just as a responsibility but as a journey towards grace and connection.
As individual achievements within the Sikh community continue to rise, a new challenge emerges: prosperity often brings caution, with people becoming more reluctant to take risks when there’s more at stake.
What role should the Sikh diaspora play in seeking justice for 1984 and discussing sovereignty and Khalistan, especially from a place of relative safety?
Violence in modern forms, like drone warfare, has become normalized, making it difficult for communities visibly associated with arms—such as Sikhs—to be understood within their cultural and historical context.
In recent years, Sikh youth in the diaspora have taken up advocacy, challenging narratives and seeking justice despite fears of backlash. How can they navigate the tension between family commitments, safety, and the drive for community empowerment?
In this Sabad attributed to Bhagat Ravidas, a profound contemplation unfolds. This composition finds its musical foundation in Rag Gujri, an ancient melodic mode reserved for the early hours of the day, evoking a sense of serene awakening.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
Harinder Singh talks about Valentine's Day, the concept of Love in Sikhi, Martyrdom, the Lovers of Punjab and more.
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
117 members for the Panjab Legislative Assembly will be elected in five days. Like it or not, the stark reality is that caste and religion play a big role throughout India, including Panjab.
Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.
Explore the Sabad (Shabad) of Bhagat Ravidas in the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.
I am sitting next to “Bhagvan” as I type this blog on Valentine’s Day. Bhagvan is someone glorious, illustrious, revered, venerable, divine, or holy.
Join Harinder Singh as he discusses Guru Nanak Dev Ji's Medicine For Life.