Harinder Singh is the Senior Fellow at the Sikh Research Institute. He holds a BS in Aerospace Engineering from Wichita State University, an MS in Engineering Management from the University of Kansas, and an MPhil from Punjab University in the linguistics of the Guru Granth Sahib.
He co-founded the Sikh Research Institute and the Panjab Digital Library, envisioned the Kaur and Singh Academy, and organized the Free Akal Takht campaign.
He appears on radio and television programs and speaks at universities, parliaments, museums, conferences, and civic institutions. He has authored several books and numerous articles integrating the political and the spiritual. He consults on curriculums, exhibitions, and films and is featured in many documentaries on the Sikhs, the Panjab, and South Asian matters.
His current focus is on developing critical thinking for Sikh institutions via the State of the Panth report series and developing open-source decoding of Guru Granth Sahib in contemporary Panjabi and English for a global audience.
He has served on the National Conference on Community and Justice boards, The Fellowship of Activists to Embrace Humanity, The Nanakshahi Trust, among others. He looks for culturally-specific things to experience and a light roast pour-over coffee to sip during travels, reads and binge-watches to stay in touch with what the world is up to, and listens to sabads, poetry, Hir, jazz, and political rap.
Harinder Singh resides with his family in the United States.
To mark the 150th birth anniversary of Bhai Vir Singh, Harinder Singh shares 5 notions with 5 seeker personalities prevalent in today’s world culture.
Divali is celebrated every year with massive parties and social events globally. People of Hindu and Sikh communities celebrate this day according to their religious and cultural traditions.
How to curate a Sikh response? Why is a framework necessary? What is Gurmat? How do Bani, Tvarikh, and Rahit consitute Gurmat? Which sources can be classified as primary and secondary?
After 75 years of the Partition, why are the significant sections of Panjabis and the Sikhs feeling estranged? What are the historical, cultural, geopolitical, trade, and economic contexts and realities?
Is “Sodhna” to test, examine, correct, punish, or kill?What is “sudhosu” in the Guru Granth Sahib?How did Guru Nanak Sahib live it?Why Sikh leadership must re-learn o
Harinder Singh and Jasleen Kaur speak about a Sikh's relationship with The Guru Granth Sahib.
In this Sabad attributed to Bhagat Ravidas, a profound contemplation unfolds. This composition finds its musical foundation in Rag Gujri, an ancient melodic mode reserved for the early hours of the day, evoking a sense of serene awakening.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
Harinder Singh talks about Valentine's Day, the concept of Love in Sikhi, Martyrdom, the Lovers of Punjab and more.
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
In the eighth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib questions how That One can be said to be in one human form.
In the seventh composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib locates the Creator as the Death; there is no god or messenger of death to fear.
In the sixth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib calls on his 1-Beloved-Friend on behalf of the Khalsa in the forests of Machhiwara.
In the fifth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib emphatically declares that anyone created or formed by the 1 cannot be confused with the 1 and...
In the fourth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib proclaims to the world that he seeks the protection from only the 1-Divine; his honor and dignity are with the 1.
In the third composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib emphasizes seeking mentorship from the 1.
Join Harinder Singh as he discusses Guru Nanak Dev Ji's Medicine For Life.