Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
She is one of the commentators and transcreators of The Guru Granth Sahib Project. She is passionate about projects that create comfortable spaces for community members of all ages and backgrounds to engage in dialogue and learn from one another. She also loves singing in her free time, whether on stage with her friends or alone in her kitchen.
She hopes to go back to school to pursue a Ph.D. in either religious ethnography or history and fulfill her dream of teaching and learning from others.
Jasleen Kaur resides with her family in the United States.
Harinder Singh and Jasleen Kaur speak about a Sikh's relationship with The Guru Granth Sahib.
The Guru Granth Sahib Project is pleased to launch the annotation of twelve Sabads (Infinite-Wisdom) by Guru Teghbahadar Sahib in Rag Sorath. Sorath is a rag (musical mode) of serious nature based on the mood of detachment.
The Guru Granth Sahib Project is pleased to launch the annotation of one Sabad (Infinite-Wisdom) and three pauris (stanzas) of a Var (ballad) by Guru Arjan Sahib in Rag Basant.
Join Harinder Singh and Jasleen Kaur as they discuss the larger Sikh context around beadbi as a political problem in need of a political solution. What is beadbi? How has it been dealt with historically? What are its Panthic and legal understandings?
The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib in Rag Gauri. Gauri is a Rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.
Sikh Research Institute (SikhRI) has released its eighth report in the State of the Panth series titled Dan: Sikhi & Giving, exploring what it means to give in a Sikh context, how giving is understood throughout Sikh history.
SikhRI Research Associate, Jasleen Kaur discusses the value of Sidak with alumni, Gurpartap Singh.
In this podcast, Jasleen Kaur reflects on Guru Nanak Sahib’s sabad, exploring the question of what is genuine within us, and what elements of ego we must navigate.
In this Sabad, Bhagat Ramanand Ji highlights the significance of remembering the all-pervading IkOankar (the Divine) rather than worshipping the idol of any deity.
Thiti refers to a lunar calendar day, counted from the first to the fifteenth day based on the moon's phases. As a poetic form, Thiti is structured around the fifteen lunar days of the Indic calendar months.
In Sikh tradition, the Birth & Naming Ceremony compositions nurture a sense of connection, love, and gratitude with IkOankar (the Divine).
‘Var Sat,’ commonly called 'Satvar' or 'Satvara,' is a poetic form based on the seven days of the week. It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
Jasleen Kaur reflects on a Sabad by Bhagat Namdev to help her through some questions she has had during Mental Health Awareness Month: how can the Divine exist in places or situations that we feel are devoid of the One?
In SikhRI’s new monthly blog series, Sabads previously transcreated for the Sabad of the Week podcast will be revisited, with the offering of an individual understanding and perspective on the application of the Sabad’s message in daily life.
In SikhRI’s new monthly blog series, Sabads previously transcreated for the Sabad of the Week podcast will be revisited, with the offering of an individual understanding and perspective on the application of the Sabad’s message in daily life.