.svg)
In which lane can I find my Beautiful?
O! All-Pervasive’s Truth-Exemplar,
articulate the Way, and I shall follow.1. Reflect.
Heart found the Beloved’s words sweet,
and the walk began to feel great.
Even if hunch-backed or short is liked by the Ruler,
in humility, now the beautiful meets the All-Pervasive. 1.
There is One Beloved. The rest are all Beloved’s friends;
Great is the one liked by the Beloved.
What can humble helpless Nanak do?
The one whom the All-Pervasive likes walks on the path. 2.2.
ਮੇਰੋ ਸੁੰਦਰੁ ਕਹਹੁ ਮਿਲੈ ਕਿਤੁ ਗਲੀ ॥
ਹਰਿ ਕੇ ਸੰਤ ਬਤਾਵਹੁ ਮਾਰਗੁ ਹਮ ਪੀਛੈ ਲਾਗਿ ਚਲੀ ॥੧॥ ਰਹਾਉ ॥
ਪ੍ਰਿਅ ਕੇ ਬਚਨ ਸੁਖਾਨੇ ਹੀਅਰੈ ਇਹ ਚਾਲ ਬਨੀ ਹੈ ਭਲੀ ॥
ਲਟੁਰੀ ਮਧੁਰੀ ਠਾਕੁਰ ਭਾਈ ਓਹ ਸੁੰਦਰਿ ਹਰਿ ਢੁਲਿ ਮਿਲੀ ॥੧॥
ਏਕੋ ਪ੍ਰਿਉ ਸਖੀਆ ਸਭ ਪ੍ਰਿਅ ਕੀ ਜੋ ਭਾਵੈ ਪਿਰ ਸਾ ਭਲੀ ॥
ਨਾਨਕੁ ਗਰੀਬੁ ਕਿਆ ਕਰੈ ਬਿਚਾਰਾ ਹਰਿ ਭਾਵੈ ਤਿਤੁ ਰਾਹਿ ਚਲੀ ॥੨॥੨॥
We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.
.svg)
.svg)
Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI), where she leads content creation, branding, and external communications.
View profile ⟶
Composed by Guru Ramdas Sahib, this piece is set in Rag Devgandhari, an ancient melodic mode traditionally sung during the second quarter of the day. This Sabad encapsulates the yearning to connect with the radiant Beloved.
The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
Suggest a correction →.svg)
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
2-time Sidaker Manmit Singh joins Jasleen Kaur to reflect on connection, community, and their deepening relationship with Asa ki Var, a guiding light through threads of hope and hopelessness.
.png){kind=small}
.png){kind=small}
.png){kind=small}
Stay informed with our weekly updates, important events and more at SikhRI.
