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In which lane can I find my Beautiful?
O! All-Pervasive’s Truth-Exemplar,
articulate the Way, and I shall follow.1. Reflect.
Heart found the Beloved’s words sweet,
and the walk began to feel great.
Even if hunch-backed or short is liked by the Ruler,
in humility, now the beautiful meets the All-Pervasive. 1.
There is One Beloved. The rest are all Beloved’s friends;
Great is the one liked by the Beloved.
What can humble helpless Nanak do?
The one whom the All-Pervasive likes walks on the path. 2.2.
ਮੇਰੋ ਸੁੰਦਰੁ ਕਹਹੁ ਮਿਲੈ ਕਿਤੁ ਗਲੀ ॥
ਹਰਿ ਕੇ ਸੰਤ ਬਤਾਵਹੁ ਮਾਰਗੁ ਹਮ ਪੀਛੈ ਲਾਗਿ ਚਲੀ ॥੧॥ ਰਹਾਉ ॥
ਪ੍ਰਿਅ ਕੇ ਬਚਨ ਸੁਖਾਨੇ ਹੀਅਰੈ ਇਹ ਚਾਲ ਬਨੀ ਹੈ ਭਲੀ ॥
ਲਟੁਰੀ ਮਧੁਰੀ ਠਾਕੁਰ ਭਾਈ ਓਹ ਸੁੰਦਰਿ ਹਰਿ ਢੁਲਿ ਮਿਲੀ ॥੧॥
ਏਕੋ ਪ੍ਰਿਉ ਸਖੀਆ ਸਭ ਪ੍ਰਿਅ ਕੀ ਜੋ ਭਾਵੈ ਪਿਰ ਸਾ ਭਲੀ ॥
ਨਾਨਕੁ ਗਰੀਬੁ ਕਿਆ ਕਰੈ ਬਿਚਾਰਾ ਹਰਿ ਭਾਵੈ ਤਿਤੁ ਰਾਹਿ ਚਲੀ ॥੨॥੨॥
We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.
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Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI). She has served SikhRI in several capacities since 2010, including Chair of the Board, and most recently as CEO.
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Composed by Guru Ramdas Sahib, this piece is set in Rag Devgandhari, an ancient melodic mode traditionally sung during the second quarter of the day. This Sabad encapsulates the yearning to connect with the radiant Beloved.
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To mark the 40th year of the violence of 1984, we reflect on the events that unfolded in India and make connections with the ongoing and durable violence against Sikhs, Muslims, and other minority groups in India and the diaspora.
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
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