Sabad

Sabad

Videos

Friday
,
16
February
2024

Sabad Hajare Patisahi 10 - Sabad 01: Renunciation Redefined

Harinder Singh and Jasleen Kaur explore the context of Indic paradigms, rituals, systems, and popular understandings that the Guru addresses in his reframing of renunciation and non-attachment. 

watch now ⟶
Friday
,
5
January
2024

Sabad Hajare Patisahi 10 - Introduction

This video serves as an introduction to the series, offering a conversation between Harinder Singh, the Innovation Director, and Jasleen Kaur, a Research Associate.

watch now ⟶
Thursday
,
19
May
2022

Explore Pahare

In this video Surenderpal shares about the newly launched annotation of two Sabads (Infinite-Wisdom) of Pahare by Guru Nanak Sahib in Sirirag. Sirirag is a rag (musical mode) that is serious in nature and thought-provoking.

watch now ⟶
Thursday
,
21
April
2022

Explore Rag Sorathi

The Guru Granth Sahib Project is pleased to launch the annotation of twelve Sabads (Infinite-Wisdom) by Guru Teghbahadar Sahib in Rag Sorath. Sorath is a rag (musical mode) of serious nature based on the mood of detachment.

watch now ⟶
Tuesday
,
18
September
2018

Sabad is Infinite Wisdom – Words of Faith

Sabad is vast. It is infinite wisdom. 

watch now ⟶
Monday
,
11
December
2017

Guru Nanak Sahib, Rag Bihagare ki Var | Guru Granth Sahib 553 | Artist: Akal Academy, Baru Sahib

watch now ⟶
Monday
,
23
January
2017

Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 96

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

watch now ⟶
Monday
,
30
January
2017

Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib. 

watch now ⟶
Tuesday
,
7
February
2017

Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157

This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.

watch now ⟶
Tuesday
,
14
February
2017

Bhagat Ravidas in Rag Gauri Bairagan | Guru Granth Sahib 345

This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.

watch now ⟶
Monday
,
20
February
2017

Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 404

This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.

watch now ⟶
Friday
,
3
March
2017

Guru Ramdas Sahib in Rag Devgandhari | Guru Granth Sahib 527 | Artist: Bhai Avtar Singh

watch now ⟶

Articles

Tuesday
,
10
October
2023

Stanza Structure in a Sabad

While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.

READ More ⟶
Tuesday
,
8
November
2022

The Fragrance of Bhai Vir Singh

Guru Nanak Sahib and the Jogi narrative is from Bhai Sahib Bhai Vir Singh’s book, "Guru Nanak Chamatkar". The dialogue occurs at the hermitage of an ascetic sect residing in South India's Kanji Forest.

READ More ⟶
Thursday
,
1
September
2022

Sabad Structure in the Guru Granth Sahib

While reading the Guru Granth Sahib, we come across various Sabad structures and forms. Some small and others long. Some have two stanzas, others three, four, or more. What do these different stanzas tell us about a Sabad or its structure?

READ More ⟶
Monday
,
11
December
2017

ਕਲਿ ਕਲਵਾਲੀ ਕਾਮੁ ਮਦੁ ਮਨੂਆ ਪੀਵਣਹਾਰੁ ॥ Ignorance-era is the Carafe

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

READ More ⟶
Monday
,
7
August
2017

Those Who Forget Nam Become a Burden on the Earth

This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states. 

READ More ⟶
Sunday
,
2
July
2017

Surrender Mind and Body, Forsake Societal Norms

In the vibrant rhythm of rag Suhi, Guru Arjan Sahib's Sabad emanates profound love and devotion, evoking a sense of reverential adoration.

READ More ⟶
Thursday
,
14
January
2016

Tresses & I

Embark on a poignant journey with the author as she reflects on her evolving relationship with her hair, exploring the nuanced layers of Sikh identity, love for Sabad, and the profound impact of choices made during the tumultuous times of 1984.

READ More ⟶
Sunday
,
22
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

READ More ⟶
Monday
,
30
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

READ More ⟶
Monday
,
6
February
2017

Your Nam is the Merchandise and the Trade, Indeed!

Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.

READ More ⟶
Monday
,
20
February
2017

Guru Hasn’t Held it Back From the Mind

Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.

READ More ⟶
Tuesday
,
28
February
2017

I Have No Worthy Flower for the Incomparable

In this Sabad attributed to Bhagat Ravidas, a profound contemplation unfolds. This composition finds its musical foundation in Rag Gujri, an ancient melodic mode reserved for the early hours of the day, evoking a sense of serene awakening.

READ More ⟶

Podcasts

Monday
,
13
December
2021

O Siblings

In this transcreation, the original Gurmukhi is followed by an English transcription to guide the Sabad’s (Divine Word) pronunciation in its original form.

LISTEN NOW⟶
Monday
,
1
November
2021

O Friends, Any Good News

In this transcreation, the original Gurmukhi is followed by an English transcription to guide the Sabad’s (Divine Word) pronunciation in its original form.

LISTEN NOW⟶
Wednesday
,
20
January
2021

Reflect on the Knower

This is a continuation of the Persian Voice of the Guru's featuring the Sikh Research Institute's Researcher, Asha Marie Kaur.

LISTEN NOW⟶
Monday
,
25
May
2020

Let Compassion Be the Mosque

The Sikh Research Institute's Asha Marie Kaur speaks on how Guru Nanak Sahib integrates Persian and Arabic vocabulary in Sabad to invoke Islamic practices, laying the foundation for a uniquely Sikh engagement with other faiths.

LISTEN NOW⟶
Monday
,
18
May
2020

ਗਲੀ ਜੋਗੁ ਨ ਹੋਈ ॥ Jog Not Attained By Talking - The Sikh Cast | SikhRI

For this episode, The Sikh Cast host Manpreet Jassal and SikhRI's Inni Kaur go through this Sabad of the Month (Infinite-Wisdom) by Guru Nanak Sahib. In it, the Guru redefines the terms Jog and Jogi, outside the six systems of Hindu philosophy. Jog for the Guru is not yoga, neither mental or physical, but a “connection.”

LISTEN NOW⟶
Monday
,
23
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

LISTEN NOW⟶
Wednesday
,
15
February
2017

O! People, if I Meet a Trader of the Charmer-Divine

This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.

LISTEN NOW⟶
Monday
,
20
February
2017

Guru Hasn’t Held It Back From the Mind

Listen as we explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.

LISTEN NOW⟶
Tuesday
,
18
April
2017

That Husband-Beloved’s Love

Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.

LISTEN NOW⟶
Monday
,
24
April
2017

Everywhere I Go, Bithal is Present

Listen to Harinder Singh’s reflection on Bhagat Namdev’s evolution from deity worship to seeing Divinity pervading everywhere.

LISTEN NOW⟶

Courses

No courses found. See all Courses.

Resources

No resources found. See all Resources.