.svg)
He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee. Instead, it lies in adoring and singing the praises of IkOankar. Through this, a seeker experiences bliss and fulfillment in life.
.svg)
.svg)
Sukhmann Kaur graduated from the University of Washington with a MA in International Studies: South Asia and a graduate certificate in Feminist Studies. She also holds a BA in History with a Minor in Ethnic Studies from Central Washington University.
View profile ⟶The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
Suggest a correction →.svg)
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
2-time Sidaker Manmit Singh joins Jasleen Kaur to reflect on connection, community, and their deepening relationship with Asa ki Var, a guiding light through threads of hope and hopelessness.
.png){kind=small}
.png){kind=small}
.png){kind=small}
Stay informed with our weekly updates, important events and more at SikhRI.
