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ਯਕ ਅਰਜ ਗੁਫਤਮ ਪੇਸਿ ਤੋ ਦਰ ਗੋਸ ਕੁਨ ਕਰਤਾਰ ॥
yak araj guphatam pesi to dar gos kun kartār.
یک عرض گفتم پس تو در گوش کن کرتار .
I said one supplication so You listen, O Creator.
In this transcreation, the original Gurmukhi is followed by an English transcription to guide pronunciation of the Sabad (Divine-Word) in its original form. Persian as written in Gurmukhi script and Perso-Arabic script often entails different spellings and pronunciations of words with the same meaning, and as such the Persian transcription is written with spellings that allow a modern-day Persian reader to understand the text.
This Sabad grounds itself in Persian and Islamic religious references. For the sabads written in fluent Persian, the Perso-Arabic script will be styled for a modern-day Persian speaker to read and understand. For the sabads infused with Persian vocabulary, the focus is transcription.
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Asha Marie Kaur is a Research Assistant with SikhRI. She has a BA in Political Science and International Studies from Northwestern University in Evanston, Illinois, where she was born and raised.
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Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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In Bani, the seeker often speaks in the voice of the human-bride longing for union with the Divine-Husband, IkOankar—a profound metaphor that transcends gender and invites all seekers into intimacy, humility, vulnerability, and love.
Saviye Sri Mukhbakya (Mahala 5) I explores a kind of devotion that arises intuitively from love, awe, and lived experience—not from rigid intellectualism or empty ritualisms.
In the Guru Granth Sahib, Din Raini is a poetic form, like Barah Maha, Ruti, Thiti, and Var Sat, structured around traditional Indic units of time.
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