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ਯਕ ਅਰਜ ਗੁਫਤਮ ਪੇਸਿ ਤੋ ਦਰ ਗੋਸ ਕੁਨ ਕਰਤਾਰ ॥
yak araj guphatam pesi to dar gos kun kartār.
یک عرض گفتم پس تو در گوش کن کرتار .
I said one supplication so You listen, O Creator.
In this transcreation, the original Gurmukhi is followed by an English transcription to guide pronunciation of the Sabad (Divine-Word) in its original form. Persian as written in Gurmukhi script and Perso-Arabic script often entails different spellings and pronunciations of words with the same meaning, and as such the Persian transcription is written with spellings that allow a modern-day Persian reader to understand the text.
This Sabad grounds itself in Persian and Islamic religious references. For the sabads written in fluent Persian, the Perso-Arabic script will be styled for a modern-day Persian speaker to read and understand. For the sabads infused with Persian vocabulary, the focus is transcription.
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Asha Marie Kaur is a Research Assistant with SikhRI. She has a BA in Political Science and International Studies from Northwestern University in Evanston, Illinois, where she was born and raised.
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Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this transcreation, we have chosen to keep the repeating words in the Sabad the same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.
The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
In this episode, we embark on a deeply personal and spiritual journey to Sri Harimandar Sahib, the Golden Temple, through the evocative words of Inni Kaur.
‘Pahare’ is considered to be a form of folk poetry in Panjabi. This poetic genre is based on the consciousness of time.Examples of this poetic genre are found only in the Guru Granth Sahib.
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