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O! My mind, utter the Charmer-Divine’s Nam for liberation.
Millions upon millions of transgressions totally eliminated,
All-Pervasive enables world-ocean crossing. 1. Reflect.
All-Pervasive Divine abides in the body-town,
All-Pervasive is fear-less, foe-less, form-less.
All-Pervasive wasn’t visible though dwelling nearby,
All-Pervasive is discovered through Guru-reflection. 1.
All-Pervasive Self is the lender, appraiser, jewel, diamond.
All-Pervasive Self created the expanse.
Nanak: Graced one buys All-Pervasive Nam,
That one is the eternal lender and trader. 2.
We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.
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Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI). She has served SikhRI in several capacities since 2010, including Chair of the Board, and most recently as CEO.
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In the ambiance of Rag Bairari, Guru Ramdas Sahib's Sabad echoes with profound spiritual depth and intricacy. Despite being an uncommon and challenging rag, Bairari's melodious essence evokes a sense of continuous improvement and progress.
The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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To mark the 40th year of the violence of 1984, we reflect on the events that unfolded in India and make connections with the ongoing and durable violence against Sikhs, Muslims, and other minority groups in India and the diaspora.
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
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