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I surrender to my own Guru,
I sing for eight pahars¹ the praise,
of the All-Pervasive, the All-Pervasive. 1.
I remember my own Divine Owner,
the Knower of all hearts. 1. Reflect.
As love develops for the Lotus-Feet,
conduct becomes eternal,
complete and immaculate. 2.
By Truth-Exemplar’s Grace,
the One comes to reside in the mind,
the evil of many life-times leaves . 3.
O! Compassionate Divine,
bestow Grace on the meek.
Nanak asks for Truth-Exemplar’s dust-blessing. 4.
1 Unit of time equaling 3 hours. 8 pahars make 24 hours.
We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.
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Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI), where she leads content creation, branding, and external communications.
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In the melodic embrace of Jaitsari rag, Guru Ramdas Sahib's Sabad unfolds with poignant sincerity, echoing the heartfelt sentiment of dependence and longing.
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Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
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