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We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.
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Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI), where she leads content creation, branding, and external communications.
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In the serene and contemplative ambiance of the Kedara rag, Guru Arjan Sahib's Sabad resonates with profound devotion and spirituality. Typically performed during the tranquil hours from 9 p.m. to midnight, the Kedara rag evokes deep emotions...
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Saviye Sri Mukhbakya (Mahala 5) I explores a kind of devotion that arises intuitively from love, awe, and lived experience—not from rigid intellectualism or empty ritualisms.
In the Guru Granth Sahib, Din Raini is a poetic form, like Barah Maha, Ruti, Thiti, and Var Sat, structured around traditional Indic units of time.
In this episode, join Jasleen Kaur, Harinder Singh, and Santbir Singh for a reflective and nuanced conversation about what this case has brought up about the Kirpan, Khalsa identity, masculinity, and our responsibility to one another.
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