This enlightening video explores the profound teachings of the fourth Sabad of So Purakhu. Guru Arjan Sahib guides us to understand that being born as a human presents a unique opportunity to recognize the Supreme Being (IkOankar).
Initiation Ceremony is an important part of many religious traditions worldwide. It often marks a significant milestone in a seeker’s life and is a way of formally admitting a seeker into the religious community.
The Guru Granth Sahib Project is pleased to launch the annotation of four separate Sabads (compositions) revealed by Guru Arjan Sahib on the theme of Birth.
The Guru Granth Sahib Project is pleased to launch the annotation of pauris (stanzas) nine to seventeen of the composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful...
The Guru Granth Sahib Project is pleased to launch the annotation of the first eight stanzas of the Composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.
Some say Ram-Ram1, some Khuda2. Some serve Gusai3, some Allah4. 1. O’ Cause-Effect, O’ Generous! O’ Gracious! O’ Compassionate! 1. Reflect. Some bathe at pilgrimages, some go to Hajj. Some perform worship, some bow their heads. 2. Some read the Vedas, som
Harinder Singh talk about Guru Arjan Sahib's life at the Guru Nanak Mission Centre in Brampton.
Harinder Singh explains why Guru Arjan Sahib was tortured and martyred. The martyrdom took place under the orders of Emperor Jahangir during the second year of his reign.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
All vegetation contains fire, all milk contains clarified butter.In high and low the Light abides, in every being’s heart is Master-Illusionist. 1. O! True Congregation, in each and every heart abides ‘The One.’
Guru Arjan Sahib gifted the eventual Guru Granth Sahib to humanity. Why did the Guru envision it? How did the Guru compile it? What did the Guru curate?
This Sabad (Divine Word), in Rag Tilang of the Guru Granth Sahib, is one of the few Sabads by Guru Arjan Sahib revealed in fluent Persian speech.
“This Divine Narrative of the All-Pervasive is what Guru Arjan Sahib has gifted to humanity.The way to experience divine realization, is revealed in Sabad.”
In the enchanting melody of Dhanasari, a rag that evokes happiness, Guru Arjan Sahib weaves a Sabad that transcends the realms of joy and spiritual connection.
In the serene and contemplative ambiance of the Kedara rag, Guru Arjan Sahib's Sabad resonates with profound devotion and spirituality. Typically performed during the tranquil hours from 9 p.m. to midnight, the Kedara rag evokes deep emotions...
Guru Arjan Sahib’s composition in Rag Malar brings to life the profound emotional experience of longing and fulfillment, set against the backdrop of the monsoon rains.
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
In current times, the world is full of abundant images, pictures, portraits, artworks, and illustrations availing stocks and libraries as well as producing films and animations. What are the most appropriate images of the Guru Sahibs?
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
In the harmonious embrace of Dhanasari, a rag that resonates with happiness, Guru Arjan Sahib crafts a Sabad that delves into the profound aspects of spiritual realization and seeking divine refuge.
In this episode from the Persian Voice of the Guru Granth Sahib series, Asha Marie Kaur tells us of the Persian linguistic influences of a Sabad by Guru Arjan Sahib.
In a new podcast series The 12 Gurus: From 1469 to Infinity, SikhRI sheds light on the lives and meaning of Gurus in Sikhi. Were they spiritualists and reformers or Divine and Revolutionaries? What lessons can we draw from them?
The Sabad commences with a profound invocation – the cooling of body, mind, and bosom through the continuous remembrance of the Divine Owner. This remembrance transforms the very essence of the being, where beauty, color, comfort, wealth, and caste...
In this Sabad, the rain is a natural phenomenon and a metaphor for the Divine’s grace. The Guru pleads for the rain—symbolic of the Divine presence and love—to descend upon their scorched heart.
Through divine perception, the seeker beholds the All-Pervasive as the ultimate Sovereign, the Owner of all beings, and the Chief of creation.
The Sabad begins with a gentle reminder to remember the All-Pervasive and immerse oneself in the divine Nam alongside the Sage-Guru. This call to remembrance is portrayed as a source of continuous bliss, nurturing the seed of spirituality within...
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
The narrative seamlessly transitions to the benevolence of the All-Pervasive, the Guru as the Earth-Force protecting the servants. The description of a forgiving Being embracing and erasing all vices creates an imagery of boundless compassion.
The Sabad opens with a jubilant acknowledgment of the Reality realized through the grace of Eternal Perfection. The appeal to the All-Pervasive, the Earth-Force, and the Destroyer of sorrow set a tone of surrender and supplication.
The Sabad expresses a heartfelt plea to the Eternal Guru, evoking a longing for refuge in the sanctuary of divine grace. It portrays a deep sense of surrender and acknowledgment of the futility of seeking solace elsewhere.
The Sabad cautions against the pitfalls of ego and self-centeredness, which hinder entry into the Divine realm and lead to regret and suffering.