In an era filled with desecration, distortion, and disconnection, this project was initiated to provide a greater opportunity for everyone to develop a personal relationship with the Guru Granth Sahib. SikhRI recruited an international team of specialists and subject matter experts to begin a process of "transcreation," composition by composition, beginning with Asa Ki Var. Transcreation is the process of developing meaningful interpretation, while providing content in both modern Panjabi and English. SikhRI's transcreation process is meant to generate a rich context to illuminate the language, aesthetics, musicology, history, culture, and philosophy contained within the Guru Granth Sahib.
The Guru Granth Sahib Project is pleased to launch the annotation of Ramkali Ki Var by Rai Balvand and Sata Dum.
The Guru Granth Sahib Project is pleased to launch the annotation of four saloks (couplets) of Salok Sahaskriti by Guru Nanak Sahib.
The Guru Granth Sahib Project is pleased to launch the annotation of Twenty-four saloks (couplets) by Guru Arjan Sahib.
The Guru Granth Sahib Project is pleased to launch the annotation of twelve Sabads (Infinite-Wisdom) by Guru Teghbahadar Sahib in Rag Sorath. Sorath is a rag (musical mode) of serious nature based on the mood of detachment.
The Guru Granth Sahib Project is pleased to launch the annotation of one Sabad (Infinite-Wisdom) and three pauris (stanzas) of a Var (ballad) by Guru Arjan Sahib in Rag Basant.
The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib in Rag Gauri. Gauri is a Rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.
Under Rag Asa, Guru Teghbahadar Sahib has revealed one Sabad, which is recorded on page 411 of the Guru Granth Sahib. This Sabad comprises of two stanzas. The stanza of rahau is separate from these stanzas.
The Guru Granth Sahib Project is pleased to launch the annotation of three Sabads, Infinite-Wisdom, of Guru Teghbahadar Sahib in Rag (musical mode) Jaitsari. This ancient rag evokes a mood of happiness and bliss.
The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Tilang, and three are in Rag Bilaval.
The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Ramkali, and three are in Rag Maru.
The Guru Granth Sahib Project is pleased to launch the annotation of eight Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Dhanasari (a musical mode), and four are in Rag Sarang.
The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Jaijavanti (a musical mode), and five are in Rag Basant.
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
This Sabad, composed by Bhagat Ravidas ji in the Gauri rag, reflects a vision of a sorrowless realm, a state of being beyond pain and anxiety.
This Sabad, composed by Bhagat Ravidas ji in the Gauri rag, reflects a vision of a sorrowless realm, a state of being beyond pain and anxiety.
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
The first fifteen saloks by Sheikh Farid Ji convey that the span of every being’s life is predetermined and finite. The being has come into this world to engage in devotion of IkOankar (the Divine) and to live a life of humility and non-attachment.
Bhagat Sadhna is one of the fifteen Bhagat contributors to the Guru Granth Sahib and one of the saint-poets of the Medieval period in South Asia. He was a butcher by profession whose life and behavior changed when he became a devotee after realizing...
Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
Rag Ramkali evokes compassion, and Rag Maru is associated with enthusiasm and zeal.
Amrit Ceremony is a fundamental and an essential rite for a seeker to join the Khalsa Panth. Through this the seeker is given ‘amrit’ and the core principles and values of Sikhi are explained to them.
The Guru Granth Sahib contains many Sabads related to the wedding ceremony, in which themes of happiness, blessings, and teachings are conveyed through vocabulary related to the wedding.
The term 'karhale' is derived from the Rajasthani and Sindhi word 'karhal,' which means camel.
The ceremony of ‘Anand Karaj’ (blissful task) is very important in ‘Anand Sanskar’ (blissful ceremony). ‘Anand Sanskar’ is considered complete only with the ceremony of ‘Anand Karaj.’
These four stanzas are four stages of a seeker’s union with IkOankar (the Divine). They depict the seeker’s spiritual journey. These four stanzas are also sung when the Sikh bride and groom circumambulate four times around the Guru Granth Sahib to...
Guru Arjan Sahib’s Chaubole focuses on love, teaching that true devotion to IkOankar (the Divine) brings constant joy. A lover fully immersed in this love is ready to sacrifice everything for the Beloved.