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Videos
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Explore Var Sat (Mahala 3) 2/2
In this composition, Guru Amardas Sahib emphasizes that IkOankar (the Divine) is the Creator of the entire creation. It illustrates how beings attached to transient things and relationships remain trapped in the cycle of birth and death.
Explore Var Sat (Mahala 3) 1/2
Var Sat, commonly known as ‘Satvar’ or ‘Satvara,’ is an old and popular poetic form based on the seven days of the week. In it, each stanza begins with a particular day of the week and describes an idea, sentiment, or belief associated with that day.
Explore So Purakhu
“So Purakhu” means “That Being,” “That Supreme Being,” IkOankar who is without form, is all-pervasive, beyond gender, existing in all and beyond.
Explore Barah Maha (Mahala 5)
In celebration of the Nanakshahi Sikh New Year, The Guru Granth Sahib Project is pleased to launch the annotation of Barah Maha, a composition revealed by Guru Arjan Sahib in Rag Majh.
Explore Thiti (Mahala 1)
Thiti refers to a lunar calendar day—a count from the first to the fifteenth day based on the moon's phases. As a poetic form, Thiti is based on the fifteen lunar days of the Indic calendar months.
Explore Bani Bhagat Surdas Ji
Bhagat Surdas Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib, whose composition is recorded on page 1253. The line urges the mind to forsake the company of those who have turned away from IkOankar (the Divine).
Explore Rag Asa
Under Rag Asa, Guru Teghbahadar Sahib has revealed one Sabad, which is recorded on page 411 of the Guru Granth Sahib. This Sabad comprises of two stanzas. The stanza of rahau is separate from these stanzas.
Guru Teghbahadar Sahib in Rag Jaitsari - The Guru Granth Sahib Project
The Guru Granth Sahib Project is pleased to launch the annotation of three Sabads, Infinite-Wisdom, of Guru Teghbahadar Sahib in Rag (musical mode) Jaitsari. This ancient rag evokes a mood of happiness and bliss.
Explore Rag Bilaval & Rag Tilang
The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Tilang, and three are in Rag Bilaval.
Explore Rag Ramkali & Rag Maru
The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Ramkali, and three are in Rag Maru.
Explore Rag Dhanasari & Rag Sarang
The Guru Granth Sahib Project is pleased to launch the annotation of eight Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Dhanasari (a musical mode), and four are in Rag Sarang.
Guru Teghbahadar Sahib in Rag Jaijavanti & Rag Basant
The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Jaijavanti (a musical mode), and five are in Rag Basant.
Articles
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Stanza Structure in a Sabad
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
"Be-gam-pura" – City’s name is "Sorrow-less-ville"
This Sabad, composed by Bhagat Ravidas ji in the Gauri rag, reflects a vision of a sorrowless realm, a state of being beyond pain and anxiety.
"Be-gam-pura" – City’s name is "Sorrow-less-ville"
This Sabad, composed by Bhagat Ravidas ji in the Gauri rag, reflects a vision of a sorrowless realm, a state of being beyond pain and anxiety.
Stanza Structure in a Sabad
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
Podcasts
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Explore Anand Sahib (Stanzas 1-10)
Delve into the profound wisdom behind the word 'anand,' as the Guru emphasizes that genuine bliss originates from eternal Wisdom, guiding seekers toward a joyful transformation.
The Guru Granth Sahib Project — Live Webinar
Our panel discusses the newly launched Guru Granth Sahib Project. The Project states that, although there are Gurbani translations available in Panjabi text belonging to the early twentieth century by many celebrated Sikh giants, and some in English from recent times, there is a need for a fresh perspective for contemporary audiences. The project aims to make the Guru Granth Sahib accessible to English speakers globally via technology. Our lead Researchers discuss the challenges in creating this work, their transcreation process, and how these translations may differ from others.
"Be-gam-pura" – City’s name is "Sorrow-less-ville"
The imagery of "Be-gam-pura" conveys a city free from grief, fear, and oppression—a place of eternal sovereignty and stability. This vision is not of a distant afterlife but a present reality available through inner realization.
Explore Var Sat (Kabir Ji)
‘Var Sat,’ commonly called 'Satvar' or 'Satvara,' is a poetic form based on the seven days of the week. It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
Explore Bani Bhagat Surdas Ji
Bhagat Surdas Ji, one of the fifteen Bhagat contributors to the Guru Granth Sahib, has a composition recorded on page 1253. This line encourages the mind to abandon the company of those who have turned away from IkOankar (the Divine).
Explore Janam & Nam Sanskar
In Sikh tradition, the Birth & Naming Ceremony compositions nurture a sense of connection, love, and gratitude with IkOankar (the Divine).
Explore Thiti (Mahala 1)
Thiti refers to a lunar calendar day, counted from the first to the fifteenth day based on the moon's phases. As a poetic form, Thiti is structured around the fifteen lunar days of the Indic calendar months.
Explore Bani Bhagat Ramanand
In this Sabad, Bhagat Ramanand Ji highlights the significance of remembering the all-pervading IkOankar (the Divine) rather than worshipping the idol of any deity.
Explore Barah Maha (Mahala 5)
On 14 March, in celebration of the Nanakshahi Sikh New Year, The Guru Granth Sahib Project released the annotation of Barah Maha, a powerful composition revealed by Guru Arjan Sahib in Rag Majh.
