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Videos
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Explore Sabads On the Theme of Birth & Naming Ceremony
The Guru Granth Sahib Project is pleased to launch the annotation of four separate Sabads (compositions) revealed by Guru Arjan Sahib on the theme of Birth.
Explore Thiti (Mahala 5) [Part 2]
The Guru Granth Sahib Project is pleased to launch the annotation of pauris (stanzas) nine to seventeen of the composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful...
Explore Thiti (Mahala 5) [Part 1]
The Guru Granth Sahib Project is pleased to launch the annotation of the first eight stanzas of the Composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.
Explore Bhagat Ramanand
The Guru Granth Sahib Project is pleased to launch the annotation of one Sabad by Bhagat Ramanand under Rag Basant. Rag Basant is a season-specific rag (musical mode) that evokes the spring season's joy, excitement, and cheerfulness.
The Foundation of The Guru Granth Sahib Project
The Guru Granth Sahib Project is designed for seekers, scholars, and techies to explore and strengthen their relationship with the Sabad of the Guru Granth Sahib.
Explore Maru Kaphi
The Guru Granth Sahib Project is pleased to launch the annotation of three Sabads of 'Maru Kaphi' by Guru Nanak Sahib in Rag Maru Kaphi. Maru is a rag (musical mode) that evokes feelings of enthusiasm and zeal.
The 4 Sabads of So Purakhu - Guru Granth Sahib Project
Guru Granth Sahib Project's Harpreet Kaur reflects working on the So Purakhu Bani.
Guru Teghbahadar Sahib in Rag Jaitsari - The Guru Granth Sahib Project
The Guru Granth Sahib Project is pleased to launch the annotation of three Sabads, Infinite-Wisdom, of Guru Teghbahadar Sahib in Rag (musical mode) Jaitsari. This ancient rag evokes a mood of happiness and bliss.
Guru Teghbahadar Sahib in Rag Tilang & Rag Bilaval - The Guru Granth Sahib Project
The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Tilang, and three are in Rag Bilaval.
Explore Rag Dhanasari & Rag Sarang
The Guru Granth Sahib Project is pleased to launch the annotation of eight Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Dhanasari (a musical mode), and four are in Rag Sarang.
Guru Teghbahadar Sahib in Rag Jaijavanti & Rag Basant
The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Jaijavanti (a musical mode), and five are in Rag Basant.
Explore Rag Gauri
The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib in Rag Gauri. Gauri is a Rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.
Articles
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Stanza Structure in a Sabad
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
Stanza Structure in a Sabad
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
Podcasts
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Explore Mahala 5 Gatha
Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.
Explore Patti (Mahala 3)
The essence of this composition is revealed in the stanza of rahau (Pause). In it, worldly accounting (entanglements) is described as useless.
Explore Thiti (Mahala 5) [Part 1]
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Explore Patti (Mahala 1)
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Explore Maru Kaphi
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
Explore Bani Bhagat Sain Ji
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
Explore Anand Sanskar 1/2
The Guru Granth Sahib contains many Sabads related to the wedding ceremony, in which themes of happiness, blessings, and teachings are conveyed through vocabulary related to the wedding.
Explore Karhale
The term 'karhale' is derived from the Rajasthani and Sindhi word 'karhal,' which means camel.
Explore Anand Sanskar 2/2
The ceremony of ‘Anand Karaj’ (blissful task) is very important in ‘Anand Sanskar’ (blissful ceremony). ‘Anand Sanskar’ is considered complete only with the ceremony of ‘Anand Karaj.’
Explore Lava
These four stanzas are four stages of a seeker’s union with IkOankar (the Divine). They depict the seeker’s spiritual journey. These four stanzas are also sung when the Sikh bride and groom circumambulate four times around the Guru Granth Sahib to...
Explore Chaubole
Guru Arjan Sahib’s Chaubole focuses on love, teaching that true devotion to IkOankar (the Divine) brings constant joy. A lover fully immersed in this love is ready to sacrifice everything for the Beloved.
Explore Bani Bhagat Sain Ji
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
