Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI). She has served SikhRI in several capacities since 2010, including Chair of the Board, and most recently as CEO.
She is a frequent speaker at community and interfaith events, the U.S. Office of the Pentagon Chaplin, and several universities. She is a passionate author, poet, and artist. Her published works include Journey with the Gurus, a children’s book series inspired by the life and teachings of Guru Nanak Sahib, Sakhi-Time with Nani ji, Thank-You Vahiguru, Daddy’s Turban, and The Story of Us.
She is passionately involved in transcreating Sabad (Infinite-Wisdom) and the writings of Bhai Vir Singh.
To Inni, every single day is a celebration. Her writing is inspired by that same outlook on life, as well as Sikh thought. While she writes anytime the spirit moves her, she thoroughly enjoys watching the clouds pass her, taking long mindful walks to appreciate nature’s innate beauty, and painting abstract artwork.
Inni Kaur resides with her family in the United States.
This Sidak event provides participants aged 18-40 a 4-hr glimpse into the 2-week Sidak summer leadership program. The prospective Sidakers will get a chance to preview learning and sharing via the curated content and the inspired facilitators.
Session 2 - Connecting Through Sabad: Diveesh Singh, Jasleen Kaur, Kiran Kaur, and Satprit Kaur share transcreating techniques with the participants to strengthen their connection with Guru through Sabad.
Inni Kaur, Creative Director at Sikh Research Institute (SikhRI) shares her reflection on Vaisakhi.
Guru Teghbahadar Sahib: The Benevolent Warrior. Inni Kaur talks about how transcendence lies not in the wishful disappearance of opposition from without but in the resolution within to disregard and rise above it. How do we rise from the fragmented universe of our fears?
Watch the entire conference as SikhRI celebrated the 400th Parkash Purab of Guru Teghbahadar Sahib!
Watch the entire conversation that took place on International Women’s Day as Inni Kaur, Shauna Singh Baldwin, and Dr. Geetanjali Singh Chanda share the multi-faceted journeys that women have taken.
The next sakhi takes us to Mecca in Saudi Arabia. Around the year 1525, Guru ji and Bhai Mardana arrived in Mecca. Guru ji’s interaction with the qazi (a Muslim scholar) was very shaky at first because the qazi thought Guru ji was disrespectful.
Vahiguru exists in everyone – even in those who don’t embody what Guru ji stood for. Surprisingly, mean people also have Vahiguru in them; they just have forgotten that. All they need is a special reminder from a place of love that Vahiguru is in them.
Follow Damanpreet and Inni as they discuss their learnings and challenges while engaging with the words of Bhai Nand Lal.
Journey with Inni Kaur as she shares her learnings from the three Sabads of Guru Teghbahadar Sahib in Rag Devgandhari through Bhai Vir Singh’s expositions. Transcendence lies not in the wishful disappearance of opposition from without but in the resolution within to disregard and rise above it. How do we rise from the fragmented universe of our fears? How do we rejuvenate from within to attain the fullest human stature?
The next sakhi in our series takes us to the town of Puri, in India. The Mayor of the town invited Guru ji and Bhai Mardana to listen to Aarti , a special prayer performed by the priests. Guru ji happily accepted.
Introducing Paigham-i-Goya: Expression of Love , new translations of a selection of ghazals from Bhai Nand Lal “Goya.” Today’s podcast begins with a recitation of Bhai Nand Lal’s ghazal in Persian, followed by a new English transcreation, the result of a unique collaboration between Dr. Fatima Fayyaz and Dr. Nadhra Khan of Lahore University of Management Sciences, Damanpreet Singh, writer, and graduate student, and Inni Kaur of SikhRI, followed by a discussion between Daman and Inni about the beauty of the ghazal and the transcreation process. Follow Damanpreet and Inni as they discuss their learnings and challenges while engaging with the words of Bhai Nand Lal. The unique and symbolic meanings that these ghazals reveal are a treat for those who yearn to get a glimpse into the court of Guru Gobind Singh Sahib. Author: Bhai Nand Lal “Goya” Collection: Divan-i-Goya Transcreators: Fatima Fayyaz, Inni Kaur, Nadhra Khan, and Damanpreet Singh Persian Narrator: Gholamhossein Sajadi English Narrator: Ryan Gillis Persian امشب به تماشای رخ یار توان رفت سوی بتِ عاشق کشِ عیار توان رفت در کوچه عشق ارچه محال است رسیدن منصور صفت با قدم دار توان رفت ای دل به سوی مدرسه گر میل نداری! باری به سوی خانه خمار توان رفت چون خاطرم از عشق تو شد رشکِ گلستان بیهوده چرا جانب گلزار توان رفت ای دل چو شدی واقف اسرار الهی در سینه ام ای مخزنِ اسرار توان رفت صد روضه رضوان است چو در خانه شگفته گویا به چه سوی در و دیوار توان رفت English Translation Tonight one may proceed to gaze upon the Beloved’s face, Towards the one who is mysteriously merciless towards the lover. Although it is impossible to arrive at the lane of love, One may walk towards the gallows in the footsteps of Mansur. Oh heart, if you don’t desire to go to a seminary, You may proceed towards a wine-house once. As your love has made my imagination the envy of a blooming garden, Why may one proceed towards the garden then? Oh heart, since you are aware of divine secrets, I can proceed within myself, oh treasure of secrets. A hundred paradisiacal gardens have bloomed in the house. Goya: why should one proceed elsewhere?
Genocide doesn’t happen in isolation. It is a combination of deep-seated hatred and racism. There are many who will deny the 1984 Genocide. But I remember…
The Guinness Book of World Records states: “On 15 August 1947, the partition of British India triggered the largest ever mass migration, uprooting over 18 million people.” The land of the five rivers, Panjab, became divided into two parts.
A new translation and brief essay on the fifty-second ghazal from Bhai Nand Lal’s Divan-i-Goya.
A new translation and brief essay on the forty-fourth ghazal from Bhai Nand Lal’s Divan-i-Goya.
A new translation and brief essay on the thirty-sixth ghazal from Bhai Nand Lal’s Divan-i-Goya.
A new translation and brief essay on the thirtieth ghazal from Bhai Nand Lal’s Divan-i-Goya.